As far as monster movies go, this is the one to beat. It’s the only film directed by the late Stan Winston, the special effects wizard who brought so many creatures and otherworldly characters to life in movies like Jurassic Park, Terminator 2, and Edward Scissorhands. I always wished he’d directed another movie, because Pumpkinhead is creepy as hell, a superb dark fairy tale that’s drenched in atmosphere.Â
The public will never let director Joel Schumacher live down his Batman movies, but let’s not forget that before there were nipples on the Batsuit, there was The Lost Boys. A divorced mother brings her two sons to a coastal California town to live with their grandfather and make a new life for themselves. There’s just one problem. The whole town is prey for a gang of vampires!
James Cameron accomplishes a rare feat with a sequel that doesn’t shame the original and succeeds on its own merits. Aliens is so different in tone than the original Alien, I think of it as a sequel only in name (this goes for all the Alien movies). In a smart move, Cameron decided not to compete with Ridley Scott in the areas of horror and suspense. Aliens is decidedly a combat movie.
As the horror genre shifted full-bore into gore and kill counts in the ’80s, Tom Holland (Child’s Play) wrote and directed this Valentine to a simpler, more classic way of spooky storytelling. Fright Night is about a high school boy (William Ragsdale) who teams up with a TV horror host on the outs (Roddy McDowell) to rescue his friends and family from a vampire (Chris Sarandon) who has taken up residence next door.Â
