[5] Paul Newman returns as private eye Lew Harper, hired by an ex-flame to solve a blackmail case involving adultery and oil-rich land. As with the previous Harper film, the stakes are never high enough and no one’s quite worth caring about. The film is good for one suspenseful set piece involving a flooding room (hence the title?), but it’s a pretty sleepy movie otherwise. …
[4] Paul Newman stars as a British agent posing as a jewel thief who gets embroiled with Russian spies, goes to prison, gets broken out of prison, and lands in the hands of a secretive organization that drugs and kidnaps him until he can pay for the breakout. A lot more happens after that, but for all the plot twists and turns, John Huston’s film …
[8] A young man’s soul is transferred to a mysterious portrait that bears the decay and debauchery of his lifestyle. The most interesting thing about this Oscar Wilde tale is that you are never told what Dorian Gray’s sins are, though the film adaptation hints at everything from drugs and alcohol to carnal sins with both men and women. Hurd Hatfield plays the icy cold …
[6] A small, isolated village of puritan-like people come under siege by a killer in their midst, as well as woodland monsters that may not be what they seem… Whether or not you like M. Night Shyamalan’s The Village ultimately hinges upon two big conceits (or twists, if you will). I’m okay with the first, as it comes organically from the hopes and fears of …
[8] [Warning: This review contains spoilers.] Joanna moves with her husband and children to idyllic Stepford, where the women love making cookies, cleaning house, and servicing their husbands. Yes, ladies, it’s a horror movie. And one that holds up remarkably well. Sure, it’s a little campy. But a dose of dark humor hardly lessens the film’s horrific revelation — that the men of Stepford are …
[4] Queer cinema pioneer Gregg Araki (The Living End, Mysterious Skin) serves up a brightly colored teen sex comedy by way of Twin Peaks with a Dr. Strangelove finale. Like most of Araki’s films, there are nice scenes here and there, and a raw, primal quality to his storytelling that allows him to get away with lack of subtlety better than most filmmakers. But I’d …
[8] Brian DePalma serves up a twisty Hitchcockian thriller about a female slasher hunting a prostitute who witnessed her last murder. Michael Caine stars as the shrink who tries to help the call girl, who’s played by Nancy Allen (Mrs DePalma at the time). But it’s Angie Dickinson who delivers the film’s most memorable performance as a married woman who nervously initiates a one-night stand. …
[5] I’m at a loss for this one. I saw the movie, but I’m still not sure what it’s about. There’s a town that sabotages drivers, all so the community can trade auto parts among themselves and hand the drivers (the ones who live) over to a doctor for medical experimentation. The town’s adults live in fear of their own children, a punkish lot that …
[6] Five ladies of ill repute muster the courage to take the stand against their evil nightclub boss in this Bette Davis vehicle. Davis overacts a tad (doesn’t she always?), but Humphrey Bogart is reliable in the role of the tenacious district attorney. This is an instance where I’d love to have seen some of the off-screen action, but the film works remarkably well under …
[4] George C. Scott stars as a police officer who follows a murder case that gets him embroiled in a mystery involving the Nazis and big oil. The film’s ahead of its time in vilifying the oil companies, represented here by none other than Marlon Brando. Scott’s character hits the nail on the head when he tells Brando: “You’re not in the oil business, you’re …
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