Oscar Winners

[7] Steve McQueen and Paul Newman help rescue people trapped in a flaming highrise in Irwin Allen’s disaster opus, The Towering Inferno. It is what it is — we all at one time or another want to watch disaster unfold and this movie gives it to you. The script cuts to the action fairly quickly, and builds upon it nicely. Many people say the flames …

[8] Director William Wellman took a full year to shoot it and was nearly fired for his perfectionism, but the gamble paid off. Wings was a huge success at the box office and became the first ever Oscar-winning Best Picture. At two-and-a-half hours, it runs a little too long, but it’s well paced and very well acted. The spectacular aerial battle sequences are what the …

[7] Based on the novel Washington Square by Henry James, The Heiress centers around Catherine (Olivia de Havilland), a shy, socially inept young woman who gets swept off her feet by a dashing young destitute (Montgomery Clift). When her father (Ralph Richardson) accuses the man of preying on his daughter’s inheritance, he threatens to cut her off. Putting all her faith in her first love, …

[8] SPOILER REVIEW: Natalie Portman is incredible in Black Swan, the story of a ballerina who must tap into her ‘dark side’ to play the Swan Queen in a New York City performance of Swan Lake. Portman’s performance is a variation on Ingrid Bergman’s in Gaslight, another psychological thriller where you’re never quite sure if things are really happening or if our protagonist is going …

[8] Dreams are a notoriously difficult thing on which to base a movie. In dreams there are no rules, no parameters — and in movies about dreams, writers and filmmakers are often all too eager to take advantage of our suspension of disbelief — because in dreams, hey? Who the hell’s to say what could or could not happen, especially if the contrivance pushes the …

[9] My favorite Pixar film features two robots who say little more than each others’ names, but somehow, as if by magic, WALL-E manages to convey more emotion than films that try twice as hard to do so.  There’s a charming purity in the characters of WALL-E and EVE, who to differing degrees struggle against their ‘directives’ to form a bond.  The fact that these …

[10] Director Paul Thomas Anderson (Boogie Nights, Magnolia) serves up a masterful study of two ambitious men — a turn-of-the-century oil prospector driven by capitalism and a young preacher eager to grow his flock. The two men come to conflict on occasion, with the prospector’s young son often caught in the middle. But as times of prosperity drift closer to the Great Depression, the prospector …

[10] I love road movies and ensemble pieces, but Little Miss Sunshine goes one step further by saying something we all need to hear from time to time: it’s okay to fall short of ambition. The film throws six disparate personalities, all family, into a Volkswagen bus for a weekend road trip so that the youngest of them can compete in a junior beauty pageant. …

[9] Guillermo del Toro’s fantasy masterpiece is a volatile blend of whimsy and horror that dares to explore the depths of human evil through the eyes of an innocent child. The film is brutal, heartbreaking, and gorgeous. Del Toro’s unique style is on full display here, in the conceptual design, the fluid camera work, and in the delicate performances. Young Ivana Baquero gives a solid …

[9] Martin Scorsese helms this dramatic thriller about an undercover cop (Leonardo DiCaprio) and a gang mole in the Boston police (Matt Damon) who race to uncover each other’s identities while a powerful mobster (Jack Nicholson) manipulates them both to his own, nefarious advantage. The Departed, inspired by the true story of Irish mobster Whitey Bulger, hits the ground running and never lets up on …

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