Alien (1979)
[10] Ridley Scott's sci-fi/horror opus Alien is really a haunted house movie set in outer space, where a ragtag team of "space truckers" do battle with one of the most fascinating monsters in movie history. Scott is one of the…
Star Wars (1977)
[10]
Star Wars needs another review like a wookiee needs Rogaine, but let’s reflect anyway, lest we start to forget its cultural importance and overall awesomeness. After film reached (still) unparalleled popularity in the late ’30s and ’40s, television came along and the film industry instantly began to shrivel. The dry spell lasted until the mid-70s (perfect timing, mom and dad), when the ‘film school generation’ of filmmakers hit the scene. George Lucas was one of the primary figures in this movement, and Star Wars, more than any other single film, blew the box (office) apart and reinvigorated the movie business. This isn’t an exaggeration. If I hadn’t seen Star Wars and its sequels as a child, I doubt I’d like movies nearly as much as I do today. It remains an incredible cinematic achievement to the world, and a lasting influence on me.
Network (1976)
[10] A suicidal TV news anchorman strikes a nerve with the public, prompting his network to bastardize their news hour with his crackpot proselytizing. Before long, the network embraces pure tabloid sensationalism -- live assassinations and all. Network is now…
Jaws (1975)
[10] Steven Spielberg's adaptation of Peter Benchley's shark thriller is extraordinarily well made and far more sophisticated than your average monster movie. The first half is a solid scare-fest that unwinds beautifully, from the first vicious attack on a late…
The Texas Chain Saw Massacre (1974)
[10] Oh, Texas Chain Saw Massacre, how do I love thee? Let me count the ways... I love that you're an unrelenting free fall into madness. I love that your first half is mysterious and suspenseful, and that your second…
Paper Moon (1973)
[10] In the Depression-era Dust Bowl, a traveling con man strikes up an unlikely relationship with an orphan girl who may or may not be his daughter. Director Peter Bogdanovich (The Last Picture Show) coaxes magnificent performances from real-life father…
The Last Picture Show (1971)
[10] Peter Bogdanovich adapts Larry McMurtry's nostalgic coming-of-age tale, creating a film so believably rooted in a lonely time and place (the early '50s Texas dust bowl), that you have a hard time shaking it when it's over. The film…
The Lion in Winter (1968)
[10] Which of King Henry II's sons will succeed him on the throne? This question is rife with political intrigue, personal vendettas, and intense family drama in The Lion in Winter. The relationships are fascinating to watch unfold. The three…
To Kill a Mockingbird (1962)
[10]
Harper Lee’s Pulitzer Prize-winning novel is lovingly adapted to film by director Robert Mulligan, screenwriter Horton Foote, and producer Alan J. Pakula. Gregory Peck earned the Best Actor Oscar for his portrayal of Atticus Finch, a lawyer of uncompromising morals who puts the safety of his family on the line to defend Tom Robinson (Brock Peters), a black man accused of raping a white woman. Finch is also a widower, raising his two young children with the help of his maid Calpurnia (Estelle Evans). The narrative is made a coming-of-age story through the eyes of Finch’s youngest, the feisty Jean Louise — or Scout (Mary Badham) as she’s nicknamed. Scout’s perspective on racism is balanced with her own fear and ignorance surrounding a neighbor named Boo Radley (Robert Duvall), who turns out to be her salvation when she and her brother are attacked by a bigot seeking revenge on their father.
Rio Bravo (1959)
[10] An unshakable sheriff and his riff-raff crew brace for a days-long siege when a swarm of bad guys descend on their town, threatening to free one of their own from jail. Rio Bravo is the last great film from…