Death Becomes Her (1992)

Death Becomes Her (1992)

[10] Meryl Streep, Goldie Hawn, and Bruce Willis headline this supremely dark comedy about two rival women (Streep and Hawn) who take a potion promising them youth and eternal life. But jealousy consumes them and leads to both their deaths.…
The Fisher King (1991)

The Fisher King (1991)

[10] Jeff Bridges stars as Jack, a shock radio host who inadvertently encourages a mad man to go on a killing spree. Guilt ridden, he teeters on the brink of self-annihilation before an eccentric homeless person named Parry (Robin Williams)…
Thelma & Louise (1991)

Thelma & Louise (1991)

[10] "You get what you settle for." It's a potent little theme that asks all of us to take stock of our lives. It probably helps that I saw Thelma & Louise at a time when, like the title characters,…
J.F.K. (1991)

J.F.K. (1991)

[10]

It doesn’t matter whether you think Oswald acted alone or not. Oliver Stone’s JFK is stunning in its craftsmanship and enthralling in its narrative construction. If you’re only casually familiar with the people and events surrounding Kennedy’s assassination and the conspiracy theories about it, brace yourself for a fast-paced, provocative, emotionally compelling story that is sure to make you drop your jaw and raise your eyebrows.

Dances With Wolves (1990)

Dances With Wolves (1990)

[10]

Kevin Costner’s ambitious ode to the American frontier is grand, romantic storytelling at its best. And talk about an underdog. People were calling it ‘Kevin’s Gate’ months prior to release — and why shouldn’t they? A three-hour long western with most of its dialogue in Lakota Sioux? How could such a movie find an audience, much less sweep the Academy Awards?

Heathers (1989)

Heathers (1989)

[10]

This superb dark comedy blows apart any precious John Hughes-like notions of high school life. Winona Ryder stars as Veronica, a high school girl caught in an elitist bitch-clique with three other young women (including Beverly Hills 90210 star Shannen Doherty) — all named Heather. But when the dangerous and alluring JD (Christian Slater) rides into town, Veronica falls under his spell as the two set out to exact revenge on the Heathers and every other force of alienation in the school. Veronica quickly finds herself in over her head with JD when their shenanigans end up having a body count. As classmates continue to die, Veronica finds herself running from both JD and the Heathers — building to a climax that will change the student body hierarchy forever. 

Running on Empty (1988)

Running on Empty (1988)

[10]

Director Sydney Lumet sets the gritty streets of New York aside temporarily and gives us an emotionally stirring family drama about two parents who have to uproot their family every time the feds catch scent of their trail. If they ever get too comfortable, they run the risk of being locked away for an act of protest that accidentally ended in a fatality during the turbulent ’60s. The family’s vagabond routine is put to the ultimate test when the eldest son, played by River Phoenix in an Oscar-nominated performance, comes of age and wants to attend music school. But if he leaves the family, he may never see them again. Running on Empty is an incredibly moving story about family bonds — both suffocating and empowering — and how loving someone sometimes means letting them go. 

RoboCop (1987)

RoboCop (1987)

[10] In the not-so-distant future, a Detroit policeman is murdered by a vicious cop-killer, only to be resurrected as the ultimate cyborg law enforcer. But will RoboCop have free will, or will he be slave to the corporation that facilitated…
Raising Arizona (1987)

Raising Arizona (1987)

[10] Holly Hunter and Nicolas Cage star as Ed and Hi, a police woman and a supposedly reformed felon who try to start a family in Joel and Ethan Coen's Raising Arizona. But when they can't conceive a child of…
Aliens (1986)

Aliens (1986)

[10]

James Cameron accomplishes a rare feat with a sequel that doesn’t shame the original and succeeds on its own merits.  Aliens is so different in tone than the original Alien, I think of it as a sequel only in name (this goes for all the Alien movies).  In a smart move, Cameron decided not to compete with Ridley Scott in the areas of horror and suspense.  Aliens is decidedly a combat movie.