Romancing the Stone (1984)

Romancing the Stone (1984)

[9]

This is the ultimate romantic adventure, complete with a great cast, exotic locations, and measured doses of action, humor, and heart.  Michael Douglas and Kathleen Turner never looked better.  They have that ephemeral “chemistry”, the kind that keeps you glued to the screen, rooting for them. The screenplay by Diane Thomas is well paced and constructed, giving plenty of breathing room to a romantic relationship that evolves naturally and believably.  Director Robert Zemeckis (Back to the Future, Forrest Gump) sprinkles memorable action scenes throughout the journey, including the swing across the gorge, the Bronco chase, and the waterfall.  I like the final showdown among all the adversaries, and how a certain alligator figures into the conclusion.  I’m also fond of Alan Silvestri’s score.  It may not be the traditional big orchestra type, but the contemporary/Caribbean/piano lounge feel (odd as it may be) gives the movie a distinct, appropriate sound.

Badlands (1973)

Badlands (1973)

[8]

What an odd, beguiling vigilante road-trip romance this is. Martin Sheen and Sissy Spacek star as two oddly unaffected youths who casually pair up and embark on what turns out to be a killing spree through South Dakota. This was director Terrence Malick’s (Days of Heaven, The Thin Red Line) first feature film, and much of his trademark style is here — the beautiful scenery, cutaways to flora, fauna, and natural phenomena (including the most beautiful house burning put to film), as well as voice-over narration that begs a more poetic interpretation of the material.

Harold and Maude (1971)

Harold and Maude (1971)

[9] Bud Cort and Ruth Gordon play one of cinema's most unusual but endearing couples in Harold and Maude, a delightfully twisted romantic comedy from Hal Ashby. Harold is a rich, sheltered boy obsessed with death, and Maude is a carefree spirit…
Deep End (1970)

Deep End (1970)

[8] A fifteen-year-old boy (John Moulder-Brown) begins working at a British bathhouse where a young woman (Jane Asher) goads his sexual awakening. The boy begins obsessing over the woman and her fiancee. He stalks them at night and tries to break them…
The Leather Boys (1964)

The Leather Boys (1964)

[9] A South London biker boy (Colin Campbell) finds himself caught in a romantic triangle, unsure whether to patch things up with his young wife (Rita Tushingham) or pursue an increasingly comfortable relationship with a fellow biker (Dudley Sutton). The Leather Boys…
Seven Brides for Seven Brothers (1954)

Seven Brides for Seven Brothers (1954)

[9]

It could just be my hillbilly roots, but I get a kick out of this corny but highly entertaining romp from the director of Singin’ in the Rain. A kind-hearted woman (Jane Powell) impulsively marries a mountain man (the booming Howard Keel) but gets more than she bargained for when he introduces his six brothers in the squalor of their remote farm house. Powell is the heart of the movie. Making the best of it, she tries to civilize Keel’s six lonely brothers to improve their chances of finding their own brides.

A Place in the Sun (1951)

A Place in the Sun (1951)

[9] Montgomery Clift (Red River, The Heiress) stars as a poor young man who takes a job at his rich uncle's garment factory where he falls in love with a coworker played by Shelley Winters. Things become complicated when Clift is introduced…
The African Queen (1951)

The African Queen (1951)

[9]

Charm can take a movie a long, long way. With Katharine Hepburn and Humphrey Bogart in their only film together, The African Queen goes the distance. She’s Rosie, the prudish widow of a missionary, and he’s Charlie, the rough-around-the-edges steamboat captain. Director John Huston puts them in a small boat together and lets the sparks fly. We need only a simple plot to drive this movie forward — Charlie and Rosie are determined to sink a German gunship that blocks the mouth of the river, so they make their own torpedoes and head straight into danger. The story gives ample room for the characters to quarrel and, yes, fall in love.

The Ghost and Mrs. Muir (1947)

The Ghost and Mrs. Muir (1947)

[9] A young, lonely widow gains her independence by moving into a seaside cottage where she begins a supernatural relationship with the ghost of a crusty sea captain. As the two begin to fall in love, a flesh-and-blood suitor rivals for her…
Notorious (1946)

Notorious (1946)

[9] Ingrid Bergman and Cary Grant headline this twisted love story from Alfred Hitchcock, about a secret service agent (Grant) who entices an aimless drunk (Bergman) to spy on a group of Nazis gathering uranium in Rio de Janeiro. There's an immediate…