[6] Writer/director Jeff Nichols (Take Shelter, Mud) serves up a supernatural drama about a father (Michael Shannon) trying to smuggle his son cross-country while avoiding both the government and the religious cult from which they escaped. Turns out the boy is gifted with strange powers that continue revealing themselves throughout the film. Is he an alien? Is it a government conspiracy? Nichols is hoping you’ll …
[5] Mutant sea creatures attack a coastal community in this schlocky flick from producer Roger Corman. It’s pretty standard, passable, monster movie fare. The requisite boobage and gore were filmed by one director, while another handled the pesky plot and character development. Like many Corman features, this one features early work from emerging talents, including makeup effects by Rob Bottin (Legend, RoboCop) and music by …
[6] So, fifteen minutes into The Fountain, you get a bald man sitting in a snow globe talking to a tree while drifting through space. At that point, you either go with writer/director Darren Aronofsky (Pi, Requiem for a Dream), or you shut the movie off to make the pain go away. Fortunately, that initial leap of faith is the hardest. I started to dig …
[4] This ‘bad in a good way’ sci-fi/horror flick features a melting astronaut who must feed on human flesh to keep from becoming a puddle of goo. I’m all for melting people, but The Incredible Melting Man is too narrow in scope. The script strings together one ‘stalk n’ kill’ scene after another, with little attention to the naturally sympathetic plight of its title character. …
[4] Also known as Quartermass and the Pit, this subdued sci-fi flick centers around a famous scientist, Bernard Quartermass (Andrew Keir), who is called to London to investigate a mysterious object and the strange effect it has on anyone who gets near it. I usually enjoy Hammer Films, but this one nearly put me to sleep. There’s some payoff, and a nice bleak ending, but …
[7] Chappie starts out rough, juggling multiple storylines and shifting our character identification many times throughout the first 30 minutes, but once the title character is ‘born,’ the film gets more and more thematically compelling. Chappie is a robot designed to be a police officer (shades of RoboCop permeate in more ways than one), but just as he’s damaged and marked for destruction, his inventor (Slumdog …
[8] Dino DeLaurentiis foots the bill for this gravely ambitious film adaptation of Frank Herbert’s classic sci-fi novel about the messianic rise of an off-lander who rallies a reclusive desert civilization in a fight against galactic takeover. Hot off The Elephant Man, David Lynch was chosen as director — a bold but inspired choice. And in the end, it’s Lynch’s style and aesthetic taste that …
[6] Ridley Scott returns to the Alien franchise in a movie that really didn’t need to be an Alien movie, and would have been better if it were not. The first two-thirds are pretty solid sci-fi thriller fare, as the story’s ensemble cast of space faring scientists and corporate ne’er-do-wells arrive at a mysterious planet that may hold the key to humankind’s origins. I knew going …
[4] As far as I could tell, Xtro is about a father who is abducted by aliens, then returned to his family as a strange alien-human hybrid. But I’m not sure. First, there’s a weird crabby-looking monster in the woods, then it rapes a woman, then the woman gives birth to a fully-grown man (the single reason to see this movie. The man begins to …
[4] Dennis Quaid and Ben Foster star in this sci-fi thriller about astronauts who awaken from hypersleep with total memory loss. The filmmakers are hellbent on keeping everything mysterious to the very end: where are we? who are we? what are we doing? I’m all for a good mystery, but you have to give me something or someone to care about while you leave me …
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