[8] J.J. Abrams hands the reigns to director Justin Lin (director of several Fast and Furious movies), working from a script co-written by Scotty (Simon Pegg). The result? A damn solid entry in the Star Trek franchise, possibly the best of the three newest films. The plot involves your standard new bad guy (Idris Elba) trying to get his hands on a big, nasty weapon …
[4] The first Independence Day is one of those films that strikes just the right tone, something between earnest and goofy-as-hell, genuinely terrifying and gloriously indulgent. It was like the best possible kind of Irwin Allen disaster movie, where the spectacle was off-set by a charming ensemble of personalities and attitude was an acceptable replacement for character development. In all these regards, the sequel fails to …
[8] Looper is a mash-up of mobster movie and sci-fi time travel flick, but rather than getting caught up in its own clever twists on a (let’s face it) hackneyed sci-fi sub-genre, the movie is wisely more concerned with creating an emotionally gripping story. It moves and builds perfectly, dividing your empathy for its fully-fleshed characters in a story that shuns black and white to …
[7] Mel Gibson returns as the iconic Mad Max, joined by Tina Turner in a fun, villainous role. But the third film in the series is also the weakest, first signaled by the PG-13 rating, a ridiculous attempt to make a hard-edged action franchise more family-friendly. The script splits the story into two distinct parts that then converge on each other in the third act. …
[8] [Warning: This review contains spoilers.] Joanna moves with her husband and children to idyllic Stepford, where the women love making cookies, cleaning house, and servicing their husbands. Yes, ladies, it’s a horror movie. And one that holds up remarkably well. Sure, it’s a little campy. But a dose of dark humor hardly lessens the film’s horrific revelation — that the men of Stepford are …
[6] The ‘alternate universe’ aspect of Lovecraftian horror is something I don’t think I’ll ever appreciate, but if that’s your bag, Stuart Gordon’s From Beyond might float your fancy. I like the psycho-sexual stuff going on, especially when everyone’s pineal glands are unknowingly stimulated, causing Barbara Crampton to don a dominatrix outfit and straddle an unconscious man. I’d like the movie to have been more …
[4] Queer cinema pioneer Gregg Araki (The Living End, Mysterious Skin) serves up a brightly colored teen sex comedy by way of Twin Peaks with a Dr. Strangelove finale. Like most of Araki’s films, there are nice scenes here and there, and a raw, primal quality to his storytelling that allows him to get away with lack of subtlety better than most filmmakers. But I’d …
[5] This atomic-age monster movie features a giant octopus that attacks San Francisco. With the help of special effects maestro Ray Harryhausen, the creature topples some skyscrapers and whacks a piece out of the Golden Gate bridge. Unfortunately, the visual effects are the only reason to recommend this flick, which suffers from many of the same ailments you find in other atomic-age fare, including pointless …
[7] H.G. Wells (Malcolm McDowell) travels through time to 1979 in hot pursuit of Jack the Ripper (David Warner), who’s hell-bent on continuing his murderous rampage in a whole new century. In the hands of director/screenwriter Nicholas Meyer (Star Trek II: The Wrath of Khan), Time After Time is a solid romantic romp. I like McDowell and Warner in anything, and Mary Steenburgen is fine …
[2] This movie is just too silly and disjointed for me. I hate it and I always have. It’s a boring, cheap, un-inventive waste of time and talent. I truly don’t get its appeal. The plot is beyond me, and why are all the aliens Jamaican? Why is Jeff Goldblum dressed like a cowboy? Why can’t the amazing John Lithgow rescue me from this torture? …
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