[5] Even when a movie doesn’t come together, I sometimes admire the effort and ambition so much, that I have to give a little extra credit. Waterworld is one of those movies. First let’s focus on the positive: The atoll sequence is great, the boat and airplane battle is pretty good, James Newton Howard’s score is awesome, and Dennis Hopper steals the show. On the …
[7] A British couple and a mad scientist embark on the world’s first trip to the moon and end up getting more than they bargained for in this colorful fantasy featuring visual effects and animation by Ray Harryhausen. First Men in the Moon is beautifully rendered with imaginative set design, color-saturated cinematography, and a grand score by Laurie Johnson. It’s also a bit more sophisticated …
[7] In this Howard Hawks production, an arctic science team finds an alien buried in the ice, so they bring it back to their facility for closer inspection. Things go awry, the monster gets loose, and before long, all the men are in danger of becoming food for the alien’s progeny. This is a great atomic-age monster movie that well exceeds expectations for the genre …
[6] Prior to Tron, computer animation appeared in a scene here and there, in films like Star Wars and The Black Hole, but Tron marked the first extensive use of it. So it’s something of a cinematic milestone, the great-grandfather of modern CGI fests like Avatar. Tron looks and sounds like no other movie with its austere digitally-rendered landscapes, the characters in glowing tights, and …
[8] It may have been Disney’s pallid attempt to cash in on the success of Star Wars, but The Black Hole is another kind of animal, a kitschy matinee sci-fi/horror movie that’s worth a look in its own right. It’s a cross between Frankenstein and The Old Dark House, falling more in line with Forbidden Planet than it does George Lucas’ famous trilogy. Robert Forster, …
[7] Mild Spoilers Ahead! J.J. Abrams (TV’s Lost and Alias) serves up a second, solid entry in the rebooted Star Trek franchise. Into Darkness is equal parts action and character-driven charm, with an emotional climax and a terrific villainous performance from Benedict Cumberbatch. You don’t have to be a Trekkie to enjoy this flick, but it will add immeasurably to your enjoyment if you’re familiar …
[8] Dreams are a notoriously difficult thing on which to base a movie. In dreams there are no rules, no parameters — and in movies about dreams, writers and filmmakers are often all too eager to take advantage of our suspension of disbelief — because in dreams, hey? Who the hell’s to say what could or could not happen, especially if the contrivance pushes the …
[9] Neill Blomkamp’s stellar directorial debut is an unpredictable blend of intelligence, emotion, and cinematic whoop-ass that defies convention and leaves you breathless. It begins like a documentary, outlining how a race of stranded aliens (the space kind) came to be ghettoized in South Africa. We follow a character named Wikus, a bumbling government agent who is tasked with herding the aliens to a new …
[9] My favorite Pixar film features two robots who say little more than each others’ names, but somehow, as if by magic, WALL-E manages to convey more emotion than films that try twice as hard to do so. There’s a charming purity in the characters of WALL-E and EVE, who to differing degrees struggle against their ‘directives’ to form a bond. The fact that these …
[8] Before winning the Oscar for directing Slumdog Millionaire, Danny Boyle gave us Sunshine, a riveting, futuristic sci-fi thriller about a crew of scientists’ desperate plight to rejuvenate the sun. Anything can and does go wrong during the mission, forcing the crew into some of the toughest life-and-death decision making they’ve ever faced. With humankind’s existence hanging in the balance, the stakes couldn’t be higher. …
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