[5] Leslie Howard, Bette Davis, and Humphrey Bogart star in this overly-talky stage play adaptation about disparate characters whose lives intersect when a notorious criminal on the lam (Bogart) takes them all hostage at a gas station diner in the middle of the desert. Director Archie Mayo conjures terrific ambience with the dust-blown stage set, especially during the climactic shoot-out when the only light source …
[6] Cary Grant and Joan Blondell star as a private eye and a manicurist-turned-journalist who help solve a mystery that began as a jewelry theft ring and escalates to the accidental shooting death of a baby in Central Park. Yeah, Big Brown Eyes may not sound like the usual Cary Grant movie, but beneath some odd plot choices, it’s not too many shades off His …
[7] Sylvia Sidney and Oskar Homolka star in this Alfred Hitchcock suspense yarn about a movie theater owner (Homolka) who is conspiring to set off a bomb in London. While a Scotland Yard detective (John Loder) tries to identify and arrest the saboteur, the destructive plan comes to a head when Homolka sends Sidney’s unwitting young brother (Desmond Tester) to the predetermined location… with bomb …
[6] In 18th century Italy, an orphan boy comes of age with the help of nuns and a kindly mentor, falls in love, gets embroiled in the slave trade, and fights for his inheritance in this adaptation of Hervey Allen’s sprawling novel. Anthony Adverse looks and sounds great, with immense sets, period costumes, and a rich score by Erich Wolfgang Korngold. Some of the supporting …
[6] This is a serendipitous romantic comedy pairing frequent costars Clark Gable and Joan Crawford. Gable plays a reporter who runs away with a press-weary heiress, hoping to snag the headline of the century. But naturally, he falls in love with the dame, which would be complicated enough without being mistaken for spies. Gable and Crawford are having fun and it shows — especially when …
[6] Katharine Hepburn plays a woman determined to dodge marriage and make a career for herself. She gets pretty far, until an unexpected turn of events turns her into a single mother. A Woman Rebels presents a peek at the feminist persona for which Katharine Hepburn would later become famous, but the film is a little too melodramatic for my taste. With the Hays Code firmly in …
[7] Errol Flynn and Olivia de Havilland reteam after their initial pairing in Captain Blood. This time, they’re in a love triangle that plays out during an Indian massacre of British women and children, later spurring into action the contents of Alfred Lord Tennyson’s vengeful Charge. For a film from the ’30s, Charge has balls. You see women and children die on screen during some …
[6] Johnny Weissmuller and Maureen O’Sullivan take a third swing at playing Tarzan and Jane in another solid entry in the long-running Tarzan series. This time around, swindlers convince Jane to leave the jungle to settle an inheritance dispute back in England. Meanwhile, Tarzan is captured by a circus exhibitionist who plans to exploit our hero as a side-show attraction. One of the highlights of …
[4] This second retelling of The Maltese Falcon (before John Huston proved the the third time was the charm) is a bizarre pseudo-comedy with an ingratiating performance by Warren William in the role Humphrey Bogart would later immortalize. Warren got under my skin — I hated him. Bette Davis was all right, but the real standout performance was Arthur Treacher as the tall Englishman, Travers. …
[5] This early Best Picture Oscar winner is a three-hour mix of song, dance, and narrative, much like Broadway Melody before it. I was expecting a real stinker, especially when the opening credits revealed “Fashion Parades by Adrian”. But apart from being overly long and anachronistic, it wasn’t so bad. The narrative is fashioned loosely around the life of Broadway’s legendary Florenz Ziegfeld Jr (the …
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