[4] A young soldier (Guy Madison) struggles to find purpose to his life after returning home from service in WWII. The guy’s problem isn’t as clear as I’d like it to be. His friends (Robert Mitchum and Bill Williams) have obvious injuries, but Madison’s character seems to suffer from nothing more than laziness. The film sometimes works as a soap opera, but I hate to …
[6] Olivia de Havilland won her first Oscar for this sudsy soap opera about a woman who gives up her infant son and spends the rest of her life trying to reconnect with him. The melodrama may be an acquired taste, but no one can steal audience sympathy better than de Havilland. I went with it, happy ending and all. In a neat (and slightly …
[6] Errol Flynn and Eleanor Parker star as the divorced parents of a seven-year-old girl who is trying to get the two back together again. It may sound cloying, but the film uses its device exclusively for screwball comedic effect. Memorable sequences include Flynn’s attempt to have dinner with two women at two different tables at the same time, Christmas Eve with two sparring Santas, …
[6] Writer/producer/director Joseph L. Mankiewicz (All About Eve, The Ghost and Mrs. Muir) made his directorial debut with Dragonwyck, a gothic romance with a dash of horror/suspense. Gene Tierney plays a farm girl summoned by a distant relative to help raise his young daughter in a New York castle. The relative, played coolly by Vincent Price (before he became a horror icon) begins poisoning his …
[4] For its racist stereotypes and sugar-coated depiction of plantation life in the post-Civil War South, Disney has locked away Song of the South from the public since its last re-release in 1986. I don’t think the film is any more offensive than countless others made before desegregation (Gone with the Wind among them). In fact, putting its social infractions in historical context is probably …
[9] Ingrid Bergman and Cary Grant headline this twisted love story from Alfred Hitchcock, about a secret service agent (Grant) who entices an aimless drunk (Bergman) to spy on a group of Nazis gathering uranium in Rio de Janeiro. There’s an immediate attraction between Bergman and Grant, but she has reservations about her self-worth and he won’t admit to loving her — possibly because of …
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