[8] A murdered man comes back from the dead to exact revenge on the people who killed him and his fiancee. The Crow is a dark visual delight featuring a charismatic performance from the late Brandon Lee as the title character. (Lee died in an on-set accident before the film was completed.) Stories of revenge always risk a boring second act where we’re forced to watch …
[5] An odd and perhaps ill-fitting choice of material for director Mike Nichols (The Graduate). Jack Nicholson and Michelle Pfeiffer give decent performances, but James Spader leaves a greater impression as a backstabbing protege. Wolf focuses more on the psychological effects of becoming a werewolf and skimps on the visceral thrills. I have a problem with the way Nicholson reacts to his transformation — he …
[8] The Disney Animation Studios took Shakespeare’s Hamlet and transplanted it to the African savanna with an all-animal cast. Buoyed by a hit soundtrack, lush visuals, memorable characters, and a daring blend of intense drama and whacky humor, the film became the critical and financial climax of the late ’80s/early ’90s Disney renaissance. For me, the truly exceptional elements of the film are the music, …
[4] Brendan Fraser, Steve Buscemi, and Adam Sandler star as wannabe rock gods who take a small radio station in L.A. hostage until they play their demo over the airwaves. As serendipity permits, news of the siege hits the public and starts enough of a sensation that the guys become bonafide celebrities… and yes, they get their record contract. There are absolutely no surprises in …
[8] Tim Robbins (The Shawshank Redemption) stars as an unwitting mail room clerk thrust into the office of CEO at a mythical uber-corporation when the board members decide to send the company’s stocks into a nose dive. But the board, headed by a coolly evil Paul Newman, doesn’t count on their newly anointed dim-wit to invent the next materialistic rage — the hula hoop. Under …
[10] I doubt Tim Burton will ever make a finer film. Armed with a powerhouse screenplay by Scott Alexander and Larry Karaszewski (The People vs Larry Flynt), Burton turns the biography of Hollywood’s most infamously bad director into a poignant and hilarious film about never giving up… no matter how much you might suck. The film is admittedly white-washed, concentrating and embellishing upon Ed Wood’s …
[9] The story covers a lot of ground and time, but its the characters that I find most intriguing in Neil Jordan’s adaptation of Anne Rice’s novel. Lestat, Luis, and young Claudia are vampires, but take away their fangs and coffins, and you have a surrogate family steeped in homoerotic and incestuous desire. The movie is best when the family is together, a little less …
[10] A breath of cinematic fresh air that magically dignifies exploitation and elevates dialgoue to an art form. Writer/director Quentin Tarantino (Reservoir Dogs, Kill Bill) assembles a stellar cast highlighted by the return of John Travolta, previously languishing in talking baby movie exile. In the chaptered non-linear screenplay, he’s paired with Samuel L. Jackson playing two hit men who wax philosophic between jobs. Bruce Willis …
[9] According to IMDb, this is the most well-liked movie of all time. And true enough, I’ve never met a person who did not like it. A film about two convicts passing the time behind prison walls could have been an insufferable downer, but there’s a mystery behind Tim Robbins’ main character, Andy, that keeps you deeply engrossed in Stephen King’s story. Andy selflessly inspires …
[9] One girl. Two guys. Three possibilities… Josh Charles (Dead Poets Society), Lara Flynn Boyle (Twin Peaks), and Stephen Baldwin star in this college romp about three co-eds who wander into a sexual threesome of sorts and survive to tell the tale. Threesome is partly auto-biographical, based on writer/director Andrew Fleming’s (The Craft, Dick, Hamlet 2) own college experiences. Fleming does a great job finding …
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