[5] This haunted hotel room flick, based on a short story by Stephen King, brings nothing new to the haunted house subgenre. It even veers straight into cliches like dramatic temperature changes, ghostly images of murders past, and (my favorite) the paintings that change. I know it must be hard to breathe new life into a tired formula, but screenwriters Scott Alexander and Larry Karaszewski …
[4] Saturday Night Live‘s Andy Samberg stars in this comedy about an aspiring stunt man trying to raise money for his step-father’s heart transplant. I like Samberg, but he isn’t quite charismatic or funny enough to carry this particular movie over the finish line. He gets assistance from the always reliable Bill Hader and Danny McBride, but it’s not enough to make Hot Rod memorable. …
[6] Ridley Scott directs from a script by Steven Zaillian this true story about a New York detective (Russell Crowe) and a drug lord (Denzel Washington) whose paths cross in the 1970s to expose deep-rooted corruption in the police force. The film balances the screen time between Washington and Crowe’s characters, so we get both the plight of the humble man and the rise & fall …
[6] Ryan Gosling plays a young prosecutor pitted against slicker-than-snot Anthony Hopkins, representing himself in a trial where he’s accused of murdering his wife. Hopkins is about to get away with everything, but Gosling is determined to poke a hole in Hopkins’ seemingly air-tight alibi. The casting is safe and predictable, but the script is fairly tight and twisty, and kept me engaged to the end. With …
[8] Halle Berry and Benicio Del Toro give terrific, Oscar-caliber performances in this film about a widowed mother who invites her late husband’s friend, a recovering drug addict, to stay with her. I was moved by the struggle of two deeply wounded people trying to help each other. Berry’s character tries to help Del Toro’s come clean, and he tries to help her bring her family …
[7] Across the Universe follows a group of young people who come of age against the turbulent backdrop of the 1960s. The film is set to a constant stream of rejiggered Beatles tunes, which allows director Julie Taymor (Broadway’s The Lion King, Titus, Frida) to cut loose with her trademark visual splendor and poetic license in a wide variety of music video sequences. When the …
[8] This version of Hairspray disarms you from the very beginning notes of “Good Morning, Baltimore” and builds to one of the most joyful finales of any movie in recent memory. The musical numbers are all superbly choreographed and staged by director Adam Shankman, but it’s the last half-hour of this movie that really seals the deal for me. The climactic performance of “You Can’t …
[7] Two Boston detectives try to solve the mystery of a missing girl in this tight dramatic thriller from director Ben Affleck. Yeah, Ben Affleck. Who knew? Strong performances from Casey Affleck, Ed Harris, and Amy Ryan. I like how matter-of-fact Affleck’s approach is, and it definitely hooked me for a long while. But I liked it a bit less after the mid-point. The long …
[7] Ryan Gosling stars as Lars, a young man who begins seriously dating a life-size doll. His friends and family are instructed by a doctor to go along with it until they can figure out why he has engaged in this suspicious behavior. I love these types of movies — the ones that take ludicrous concepts, and then treat them very seriously. This is a …
[8] Frank Darabont dives back into the Stephen King well and comes out with a winner. The Mist is about a disparate group of people who end up trapped together in the local grocery store when a strange, scary mist suddenly engulfs the town. Anyone who travels out into the mist is killed by mysterious, unseen creatures. In addition to the apocalyptic angle, you can …
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