[8] A dorky teenager (Aaron Johnson) decides to dress up like a superhero and help people in need. He encounters a few other kids with similar ambitions, and before you know it, you have a hyper-violent, low-rent, joyous abomination of the superhero flick. Director and co-screenwriter Matthew Vaughn (Layer Cake) takes some unpredictable turns, railing against our expectations to create some terrific edge-of-your-seat moments. Nothing …
[8] A teenaged girl ropes an aging, alcoholic U.S. Marshall into helping her find justice for her father’s murder. In this age of sequels and remakes, it’s hard to believe one of them could actually be this good. The Coen Brothers take the John Wayne original (based on a book by Charles Portis), roll it in mud, fray the edges, and weave a telling that’s …
[5] SPOILER REVIEW: Leonardo DiCaprio stars as a U.S. Marshall sent to a hospital for the mentally insane to investigate the disappearance of one of the patients. But as the hospital tries to obscure the truth, DiCaprio’s character starts to lose his grip on reality. Martin Scorsese certainly knows how to create atmosphere and suspense, but Shutter Island suffers from a bad case of plot-twist …
[8] It’s been 11 years since Toy Story 2, and the same amount of time has passed in Buzz and Woody’s world. Andy is now heading off to college and the toys’ fates are up in the air. Will they go with him? Will they go to the attic? Or worse, what if they get thrown away? The movie explores all these possibilities and ends …
[4] Director David Slade (Hard Candy, 30 Days of Night) tries to elevate the material to Lord of the Rings status, with several gratuitous aerial fly-over shots and a suitably brooding score from ‘Rings’ composer Howard Shore. But, somehow, infuriatingly, and against all probably odds, Eclipse is still an interminable snooze-fest. The first three-quarters are like New Moon all over again (ie, Chinese water torture). …
[6] Too mature for children, but too immature for adults, Legend of the Guardians may never find an audience beyond those thirteen years of age or thirteen at heart (guilty as charged.) It’s a dark, computer-animated fantasy based on a series of books by Kathryn Lasky. The story is a bit muddled, but it pulls together for the most part. Our hero is a young …
[8] A movie about corporate betrayal and litigation is normally not my idea of a good time, but The Social Network turns out to be a well-made, voyeuristic look back at the birth of a now-ubiquitous product that many users can’t live without. In fact, you wouldn’t be reading this review without it. Screenwriter Aaron Sorkin (The West Wing) is a shoe-in come Oscar time …
[6] Like the first movie and The Blair Witch Project before it, PA2 utilizes a faux verite approach to exploit some of our most primal fears. I’m not sure I want this crude, unpolished treatment to become a full-blown sub-genre, but one of these kinds of movies every couple of years could be a nice diversion from homogenized remakes of iconic horror movies. Basically, if …
[6] This no-budget documentary is better experienced without knowing much about it. All I’ll say is that it’s about Facebook stalking. For its modest scale and home video production values, it’s a surprisingly engaging little mystery with a satisfying payoff. I was expecting it to be a faux-reality horror movie or thriller, but that’s not the case at all. It’s more of a quirky true-life …
[7] Move over, Lindsay Lohan (or at least flail further down the gutter.) There’s a new mean girl in town, and her name is Emma Stone. Easy A is the perfect vehicle for Stone, who shows natural charm and considerable range as a highschooler who decides to lie about losing her virginity. Before she realizes what she’s done, she’s created a whole whorish persona for …
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