[4] Green Lantern is probably the single-most generic superhero movie I’ve ever seen. It’s not terrible so much as it is wholly unremarkable. It’s mired in a scatter-shot script that dwells on plot points and secondary characters I couldn’t give two craps about, when all that screen time should have been devoted to making me care about the title character. Ryan Reynolds is plenty charismatic …
[7] In this film based on a true story, Brad Pitt stars as Oakland A’s general manager Billy Beane, who introduced computer analysis of player statistics into recruitment strategy and forever changed the way baseball is played. Jonah Hill plays the shy, young economist who pitches the recruitment strategy to Beane. Both men were nominated for Oscars for their performances here. The film centers squarely …
[7] The first two-thirds of this franchise reboot (a second after the 2001 Tim Burton clunker) are surprisingly good. I was expecting to see computer-generated monkeys go nuts for two hours (all of which is saved for the less interesting final act), but before then you get James Franco playing Dr Frankenstein and struggling with responsibility for his creation, a hyper-intelligent orphaned chimp named Caesar …
[6] The title of this movie refers to the chances of survival for its main character, Adam (Joseph Gordon-Levitt). Adam’s life and all his relationships are turned upside down when he learns he has cancer. I’m glad the movie is more about the relationships and less about the prognosis, though the film doesn’t shy away the realities of cancer. Some characters and certain relationships don’t …
[8] I’m honestly pretty sick of superhero movies, but I still have a soft spot for the X-Men. Director Matthew Vaughn (Kick-Ass, Layer Cake) reinvigorates things with First Class after a couple of less-than-stellar entries in franchise. The plot moves at a ridiculous pace and the connections between points A, B, and C can be a little convenient, but Vaughn succeeds in giving the movie …
[8] Shame is a deeply sad, austere and beautifully composed film about a sex addict whose routine is interrupted by a visit from his emotionally disturbed sister. The film features a fearless, hyper-anguished performance from Michael Fassbender, who is quickly becoming one the best film actors of our time. Masterfully directed by Steve McQueen (Hunger, 12 Years a Slave), who lets several scenes play out …
[6] In this home invasion horror flick from writer Simon Barrett and director Adam Wingard (V/H/S), a group of animal-masked killers armed with crossbows and axes begin preying on a wealthy family coming together for the parents’ anniversary. The film spends a generous twenty minutes or so getting you acquainted with the family — including three sons, a daughter, and everyone’s significant others. But then …
[4] While it’s technically a prequel, this new Thing is a lot like the old Thing, but pales by comparison in every conceivable way. The characters are less engaging, the atmosphere is less palpable, the tension is lacking, and the ground-breaking practical effects of the 1982 version are replaced with some pretty cheezy-looking CGI. The film also eschews the all-male ensemble for the hackneyed ‘lone …
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