[6] Paul Newman headlines this Robert Wise biopic about real-life boxing champ Rocky Graziano. Ernest Lehman’s smart, well-paced script sees Rocky through several youthful indiscretions that threaten to ruin him just as the lightweight championship comes within reach. Though he had appeared in one other film prior, this is the movie that launched Paul Newman to stardom, and it’s no wonder why — he’s magnetic. …
[5] Marlon Brando is terrific as Marc Antony in the centerpiece scene, rallying Rome to condemn Caesar’s assassins. The supporting cast, sets, Miklos Rozsa’s score, and the cast of thousands are impressive. But I’ll be damned if this movie didn’t have me fighting off sleep on more than one occasion. Maybe I need to see it again later, or maybe James Mason’s voice just puts …
[7] James Cameron’s first film since Titanic is a supreme juvenile fantasy with a healthy sense of adventure and discovery. From its floating mountains to its bio-luminescent flora and fauna, the world of Pandora never stops unfolding before our eyes, and it’s a beautiful, trippy little place to visit. The core concept of Avatar — that of experiencing life through a separate host body — …
[3] What a shitty Best Picture winner Gigi is. It’s a musical about an unhappy playboy (Louis Jourdan) and an unhappy debutante (Leslie Caron) who fall in love, but then out of love, and back in love, and out, and finally in again. Apparently neither one feels right playing by the rules of Parisian upper-crust society and doing what is expected of them, so they …
[4] The third-ever Academy Award for ‘Best Picture’ went to this somewhat clunky, melodramatic story spanning three decades in the lives of two British families — one upstairs aristocrats, the other downstairs servants. It may have been one of the most popular films of 1933, but it’s not one to which the passage of time has been particularly kind. Diana Wynyard and Clive Brook play …
[6] Just as Robert Zemeckis had to make Forrest Gump and Tim Burton had to make Big Fish, so did David Fincher have to make The Curious Case of Benjamin Button. All three directors are known for their visual and/or technical prowess, and all three felt the need to wring a tear-jerker out of their filmographies, maybe just to prove they could? Benjamin Button is …
[2] There’s precious little to keep you interested in this hideous-looking and busily boring shit-fest of a film that is both a nadir for director Tim Burton’s creative trajectory and emblematic of everything wrong with Hollywood in the early 21st century. Much muchness? Indeed. Alice in Wonderland is the cinematic equivalent of a priapism.
[4] Alan J. Pakula (Sophie’s Choice, The Pelican Brief) directs the big-screen story of how Washington Post reporters Bob Woodward and Carl Bernstein cracked the Watergate scandal that lead to President Nixon’s resignation. I love Robert Redford and Dustin Hoffman enough to get through any movie, but this is not a cinematic story. Every other scene is a phone conversation. And the nature of Woodward …
[5] A light, fluffy, inconsequential comedy about a man who dies and is given the opportunity to return to life in another man’s body. The movie works best during it’s ‘fish out of water’ scenes, where Warren Beatty interacts with the people in his affluent host-body’s life, including some charming house servants, a duplicitous wife, and her murderous lover. For all the Oscar attention this …
[7] Hollywood’s most celebrated melodrama is still entertaining today. Vivien Leigh does a remarkable job playing one of the most volatile heroines in film history. Scarlet O’Hara begins Margaret Mitchell’s story damned spoiled, and I’m not sure she ever really learns her lesson, but Leigh renders a subtle transformation while always remaining true to character. My other favorites are Olivia de Havilland (sweet in everything …
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