[6] This story of a widower struggling to be a good father to his two boys refrains from indulging in too much sentimentality, but never fully shakes that “Lifetime Movie” feeling. Clive Owen and young George MacKay are very good, and the Australian setting makes for a beautiful backdrop — overall, the movie’s all right. It just isn’t anything we haven’t seen before. With Laura …
[7] Robert Rodriquez and Frank Miller join forces, with a little help from guest director Quentin Tarantino, to bring Miller’s much-loved Sin City to the screen. The result is less a film adaptation than a graphic novel come to life. The color palette is restrained, usually resorting to faithful recreations of Miller’s black and white panel work. The hyper-stylized approach works well for a movie …
[7] Closer features some of the most incredible dialogue I’ve heard in a long time, and the cast are all rock-solid in what boils down to a messy four-way of sexual and romantic entanglement. It’s a slick, polished, elegant film from Mike Nichols (The Graduate, Working Girl, Primary Colors). What keeps me from reveling in such a well made film is the subject matter. Closer …
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