[5] There’s a good concept at the core of this Wes Craven/Kevin Williamson (Scream) collaboration — a brother and sister coming to terms with the fact that they may be werewolves. But serious werewolf fans will bemoan the cheesy Hollywood setting and the sub-par computer-animated effects. I liked Jesse Eisenberg as the brother, but Christina Ricci and pretty much the rest of the entire cast …
[7] Robert Rodriguez directs from a script polished by Kevin Williamson in this fun high school body snatchers horror flick. Piper Laurie, Jon Stewart, Salma Hayek, Robert Patrick, Bebe Neuwirth, and Famke Janssen play the title characters, members of an Ohio high school who are the first victims of a parasitic alien invasion. Once the brainwashed grownups start infecting the student body, it’s up to …
[8] As unnecessary sequels go, The Fly II is far, far better than it has any right to be. I think the fact that Shawshank Redemption director Frank Darabont co-wrote the screenplay has something to do with it. The film is more of a standard monster movie than Cronenberg’s 1986 version, especially after the mid-point, where director Chris Walas (who won an Oscar for effects …
[5] This atomic-age monster movie features a giant octopus that attacks San Francisco. With the help of special effects maestro Ray Harryhausen, the creature topples some skyscrapers and whacks a piece out of the Golden Gate bridge. Unfortunately, the visual effects are the only reason to recommend this flick, which suffers from many of the same ailments you find in other atomic-age fare, including pointless …
[1] A business man tries to capitalize on a town’s frequent Bigfoot sightings by capturing the creature for his own tourist attraction. This would be an awesome movie if it were 1979 and you’d never seen a movie before. Bigfoot is a big white fluffy thing that howls like a cat in heat. The music is the equivalent of Tangerine Dream throwing up. Plus, if …
[6] When classic movie monsters invade their town, a group of kids band together to keep them from finding a magical amulet that will enable the creeps to rule the world. The Monster Squad is an ebulient if uneven little horror/fantasy/kiddie film from the grand ole ’80s. I was surprised how politically incorrect the kids were (refreshing), and how daring the story was at times …
[8] Frank Darabont dives back into the Stephen King well and comes out with a winner. The Mist is about a disparate group of people who end up trapped together in the local grocery store when a strange, scary mist suddenly engulfs the town. Anyone who travels out into the mist is killed by mysterious, unseen creatures. In addition to the apocalyptic angle, you can …
[8] Neil Marshall follows up his auspicious feature directorial debut, Dog Soldiers, with this all-female plunge into the claustrophobic depths of Appalachian caves. The Descent reminds me of From Dusk Til Dawn in that it’s really two completely different movies jammed together at the middle. The first half is harrowing enough just watching the women climb, crawl and wiggle their way deeper and deeper into …
[8] This monster movie from the creators of Lost and Felicity combines low-budget ingenuity with high-budget production values for a thrilling movie going experience. The whole film is hand-held ‘found footage’ documenting a group of friends’ attempted escape from Manhattan after the city is attacked by a raging leviathan. The monster’s design is fresh and original, and the young cast do very good jobs running …
[7] It’s rare, but here we have a remake that is better than the original. Kevin Dillon stars as a high school boy trying to warn his community that a blobular alien is devouring everyone in its sight. There are a few corny moments I could have done without (the motorcycle jump, for one), but Chuck Russell’s (Nightmare on Elm Street 3: The Dream Warriros) …
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