[6] Part two of George Lucas’ Star Wars prequel trilogy is still cluttered and over-produced like the previous installment, but it’s a modest improvement over part one, thanks in large part to a solid final act. But man, oh, man, do you have a long tedious slog to get to that third act. Lucas and co-screenwriter Jonathan Hale bank on cross-cutting story lines (ala Empire …
[6] It’s shiny and exciting to look at, a gorgeous smorgasbord of fantastic sets, wardrobe, make-up, and visual effects. But it’s also grotesquely over-produced, almost turning these assets into something garish and distracting. It’s a shame the considerable talents of Liam Neeson, Ewan McGregor, and Natalie Portman couldn’t be put to better use. All three appear insufferably constrained in their roles. Jake Lloyd as young …
[3] In this morose and supremely depressing film from Marc Forster (Monster’s Ball, Finding Neverland), a troubled college student (Ryan Gosling) seeks the help of a shrink (Ewan McGregor), who then investigates the boy’s life to see if there might be any merit to his vow to commit suicide later that week. I might have liked Stay better if it were a reality-based drama, but …
[5] They were re-writing the script for Jack the Giant Slayer while they shot the movie, and it shows. It’s a bit of a hot mess. I’m a fan of director Bryan Singer (The Usual Suspects, X-Men) and I’m down to watch Nicholas Hoult (About a Boy, Warm Bodies) carry a film, but the film never hooked me. The only character who musters any emotional …
[9] I love me some ensemble dramas, and August: Osage County does not disappoint — even if it does hit a little too close to home for comfort… but then whose life isn’t affected by drugs and closeted skeletons these days? Three sisters and their motley crew of significant others converge with other family members after their patriarch goes missing. The siege becomes an intervention …
[9] Naomi Watts and Ewan McGregor star in this harrowing true story about a vacationing family torn violently apart by the 2004 tsunami that ravaged Thailand. The natural disaster is recreated in the opening act, seen through the eyes of Watts’ character as she desperately tries to grab hold of her eldest son as the tidal wave sweeps them both inland. She’s thrashed, cut, and …
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