[5] Joan Crawford plays an impoverished woman who leaves her husband after a tragedy claims the life of their young son. Determined never to be poor again, she sleeps her way through a string of men to reach a higher social standing. But once she ingratiates herself with gangsters, she gets in over her head. The Damned Don’t Cry delivers the typical Joan Crawford character …
[7] An unusual sequel of sorts, The Godfather Part II spends equal time in the past and the present, exploring the early life of Vito Corleone (with Robert DeNiro taking over the mantle from Marlon Brando) while also following the continuing story of Vito’s son Michael (Al Pacino reprises his role). Thematically and emotionally, the movie plays like a long and redundant epilogue to the first …
[7] While I enjoy parts two and three, I have the same general problem with both of them. Why do they exist? The first film tells a complete story, but part two (with its shuffling of prelude and epilogue) plays like an index and part three is very clearly a coda (Coppola even wanted to name it “The Death of Michael Corleone”). However good they …
[7] James Cagney makes his breakthrough performance as a Chicago street kid who becomes a successful gangster during prohibition. I don’t usually like gangster movies, but director William Wellman (Wings, The Ox-Bow Incident) frames The Public Enemy as a cautionary tale with a moral ending — it doesn’t glamorize the lifestyle like so many more modern movies do. And while I may not relate with …
[9] “As boys, they said they would die for each other. As men, they did.” Once Upon a Time in America is an epic, gorgeous, emotionally moving gangster flick from spaghetti western maestro Sergio Leone (The Good the Bad and the Ugly). Robert DeNiro stars as ‘Noodles’, a former Prohibition-era gangster returning to Lower-East Manhattan after thirty-five years in self-imposed exile over the deaths of …
[9] The Godfather balances the private lives of its characters with their sensational ‘occupation’, and that’s why I like it more than other ‘tough-guy’ movies. If I didn’t care about the family members, no amount of horse beheadings or car explosions would be able to pick up the slack. Brando and Duvall command respect in their seemingly effortless performances, and Pacino provides all the empathy …
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