Geoffrey Lewis

[4] After a comet wipes out most of Earth’s population, a valley girl and her sister roam the empty streets of Los Angeles fighting zombies and entangling with a shady group of scientists who want to harvest their blood. Night of the Comet sounds like it could be a fun genre romp, but writer/director Thom Eberhardt (Captain Ron, Gross Anatomy) never finds the right tone …

[7] Tobe Hooper (The Texas Chain Saw Massacre) directs this made-for-TV adaptation of Stephen King’s novel about a writer who discovers his hometown is being overtaken by vampires. The most remarkable thing about Hooper’s work here is how genuinely scary Salem’s Lot is without ever resorting to gore or excessive violence. Scenes of vampire children floating outside bedroom windows, beckoning their next victims to let …

[7] Charles Bronson headlines this above-average low-budget thriller about a cop of questionable morals (Bronson) in pursuit of a serial killer (Gene Davis) who kills in the nude. Early in the film, Bronson tells his boss (Wilford Brimley) that the killer’s “knife is his penis.” The killer is motivated to kill because women won’t give him attention otherwise, making 10 to Midnight all the more …

[4] I’d never seen Heaven’s Gate until recently. For decades, it has been the title synonymous with “flop” and studio bankruptcy, but it has also been picked back up, reexamined, and declared somewhat of an artistic treasure in recent years. The story centers around a bloody ongoing battle in 1890s Wyoming between rich cattle barons and struggling immigrant settlers. The settlers steal cattle to feed their …