[7] Katharine Hepburn stars as a poor young woman trying to enter snobbish social circles to find a husband in this first major film directed by George Stevens (Woman of the Year, Gunga Din). Hepburn’s character eventually lands a doting beau (Fred MacMurray). Her problem then becomes how to disguise the fact that she comes from modest means. I like Alice Adams because it features …
[6] Barbara Stanwyck stars in this murder mystery romp about a socialite who enlists her girlfriends to help her find a dead body she discovered, but which went missing before the police arrived at her calling. The police think she’s a prankster, and Henry Fonda’s newspaper reporter character only makes matters worse by publishing the play-by-play. Before long, Stanwyck and Fonda start to fall in …
[7] Marlene Dietrich re-teams with director Josef von Sternberg (The Blue Angel) to play a woman-on-the-run in Blonde Venus. After her husband falls ill from radium poisoning, Dietrich performs in a nightclub to make money for his treatment. But when Cary Grant shows up at the club offering a way to make more money faster, Dietrich takes him up on his offer. (Who wouldn’t prostitute …
[7] Errol Flynn plays General George Custer in this romantic (though not very historically accurate) panache of the accomplished Civil War general who met a celebrated fate at Little Big Horn. Despite the liberties taken in the script, it’s a fun mini-epic of a movie with a lot to offer the Gone with the Wind crowd. Flynn gives one of his better performances here, opposite Olivia …
[6] Errol Flynn and Eleanor Parker star as the divorced parents of a seven-year-old girl who is trying to get the two back together again. It may sound cloying, but the film uses its device exclusively for screwball comedic effect. Memorable sequences include Flynn’s attempt to have dinner with two women at two different tables at the same time, Christmas Eve with two sparring Santas, …
[7] Hollywood’s most celebrated melodrama is still entertaining today. Vivien Leigh does a remarkable job playing one of the most volatile heroines in film history. Scarlet O’Hara begins Margaret Mitchell’s story damned spoiled, and I’m not sure she ever really learns her lesson, but Leigh renders a subtle transformation while always remaining true to character. My other favorites are Olivia de Havilland (sweet in everything …
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