Alice Adams (1935)

Alice Adams (1935)

[7] Katharine Hepburn stars as a poor young woman trying to enter snobbish social circles to find a husband in this first major film directed by George Stevens (Woman of the Year, Gunga Din). Hepburn's character eventually lands a doting…
The Mad Miss Manton (1938)

The Mad Miss Manton (1938)

[6] Barbara Stanwyck stars in this murder mystery romp about a socialite who enlists her girlfriends to help her find a dead body she discovered, but which went missing before the police arrived at her calling. The police think she's…
Blonde Venus (1932)

Blonde Venus (1932)

[7] Marlene Dietrich re-teams with director Josef von Sternberg (The Blue Angel) to play a woman-on-the-run in Blonde Venus. After her husband falls ill from radium poisoning, Dietrich performs in a nightclub to make money for his treatment. But when…
They Died with Their Boots On (1941)

They Died with Their Boots On (1941)

[7] Errol Flynn plays General George Custer in this romantic (though not very historically accurate) panache of the accomplished Civil War general who met a celebrated fate at Little Big Horn. Despite the liberties taken in the script, it's a…
Never Say Goodbye (1946)

Never Say Goodbye (1946)

[6] Errol Flynn and Eleanor Parker star as the divorced parents of a seven-year-old girl who is trying to get the two back together again. It may sound cloying, but the film uses its device exclusively for screwball comedic effect.…
Gone with the Wind (1939)

Gone with the Wind (1939)

[7]

Hollywood’s most celebrated melodrama is still entertaining today. Vivien Leigh does a remarkable job playing one of the most volatile heroines in film history. Scarlet O’Hara begins Margaret Mitchell’s story damned spoiled, and I’m not sure she ever really learns her lesson, but Leigh renders a subtle transformation while always remaining true to character. My other favorites are Olivia de Havilland (sweet in everything she’s in), Hattie McDaniel (who deserved her Oscar), and Butterfly McQueen (for bringing a little comedy to the proceedings). I don’t get Leslie Howard as Ashley. For being the crux of the movie’s romantic triangle, I’d like to have known what was so darned special about him. Max Steiner’s music, especially the Tara theme, is among the most memorable ever composed for film.