Brad Pitt reunites with writer/director Andrew Dominik (The Assassination of Jesse James by the Coward Robert Ford), playing a hit man called in by the local crime lords after two young kids take down a big card game that collapses the underground economy. The parallels to the US economy are blatant, complete with recurring clips of Barack Obama and George W. Bush talking about the financial collapse of 2008. But if you ignore the pointed comparison, Killing Them Softly offers a compelling portrait of characters who do anything to get by. They aren’t quite the tough guys of so many other mob and gangster movies — Dominik’s character’s don’t enjoy hurting people, they just want to get paid — and they fear the consequences of their actions. It’s a refreshing spin on familiar ‘tough guy’ tropes, but don’t expect a Scorsese or Tarantino movie here. This one favors conversation and performance well over action. There are a couple of visceral moments in the film (both involving the brutal misfortunes of Ray Liotta’s character), but the real reason to see Killing Them Softly is for the performances.
This is a fucking cool-ass movie. The screenplay by Quentin Tarantino is an exciting blend of violence, sweetness, and dark humor. Director Tony Scott (Top Gun, Crimson Tide) brings it to life with his usual polished style, and attracts a large ensemble of A-list performers. Christian Slater and Patricia Arquette play Clarence and Alabama Whorley, a comic book geek and a call girl who meet serendipitously and fall instantly in love. As Tarantino says, the title of the movie is not meant to be ironic. An edgy action movie may not be a likely place to find true love, but I would argue that Clarence and Alabama are a more engaging and believable couple than those found in the majority of romantic comedies.
