The Invisible Man (1933)

The Invisible Man (1933)

[8] Claude Rains (Casablanca, Mr. Smith Goes to Washington) stars as a scientist who makes himself invisible, but struggles to find a way to reverse his situation. As he toils, the experiment wears on his sanity, turning him into a…
The Kiss Before the Mirror (1933)

The Kiss Before the Mirror (1933)

[5] Character actor Frank Morgan (The Wizard of Oz) gets a leading role in this warped melodrama from director James Whale (The Old Dark House). Morgan plays an attorney defending a friend who murdered his wife after catching her in…
The Old Dark House (1932)

The Old Dark House (1932)

[8] Five travelers end up stranded at our title location after a fierce night-time storm makes driving the English hillsides too dangerous. The family that lives there is less than hospitable, with secrets that make the evening increasingly frightening. The…
The Bride of Frankenstein (1935)

The Bride of Frankenstein (1935)

[8] Director James Whale (Waterloo Bridge) was given free reign by Universal Pictures to craft a sequel to his highly successful Frankenstein. The result is a more daring and stylized film considered by many to be the most remarkable in…
Frankenstein (1931)

Frankenstein (1931)

[7] James Whale (Waterloo Bridge, The Invisible Man) directs Boris Karloff in his iconic performance as Frankenstein's monster in this cornerstone of Universal Pictures' monster movie legacy. The adaptation from Mary Shelley's novel is somewhat loosey-goosey, but taken on its…
Waterloo Bridge (1931)

Waterloo Bridge (1931)

[7]

This is the first of at least three film versions of Robert L. Sherwood’s play about an American soldier who falls in love with a Londoner during a World War I air raid, unaware that she is a prostitute. Director James Whale (Frankenstein, The Invisible Man) delivers a solid melodrama with two great lead performers. I was particularly taken with Kent Douglass as Roy. At times, he seemed to display the kind of naturalistic acting style that wouldn’t become popularized until Brando hit the scene decades later. I totally bought Roy’s doe-eyed infatuation with Myra (Mae Clarke), hook, line and sinker. Clark is good with the tremendous amount of pathos the screenplay gives her to work with.

Gods and Monsters (1998)

Gods and Monsters (1998)

[9] Ian McKellen gives his most moving film performance to date as James Whale, director of the original Frankenstein, Bride of Frankenstein, The Invisible Man, and many other Golden Age titles. Bill Condon directs and adapts from a novel by…