[7] Tom Holland, my personal favorite Spider-Man, returns in his third official film — although his character has also appeared in many other Marvel movies that don’t have his name in the title. This time, the young webslinger is dealing with the fallout from the last film, chiefly that his secret identity has been revealed to the world and everyone thinks he’s a bad guy. …
[6] Writer Audrey Wells (Under the Tuscan Sun) and director Michael Lehmann (Heathers, Hudson Hawk) deliver a better-than-average romantic comedy about a radio show host (Janeane Garofalo) who uses her fashion model neighbor (Uma Thurman) to get to know a handsome Australian dude (Ben Chaplin) who thinks the model is the radio show host he’s falling in love with. The Truth About Cats & Dogs …
[8] I was not looking forward to Baby Driver, because I haven’t especially cared for any other Edgar Wright movie I’ve ever seen. (Watching Scott Pilgrim in the theatre with a full house was actually one of the most depressing movie-going experiences of my life.) Fortunately, I would never have known Baby Driver is an Edgar Wright movie unless you told me. Because unlike Shaun …
[7] Jamie Foxx stars as an L.A. cab driver forced to chauffeur a hitman played by Tom Cruise. Director Michael Mann (Heat, Last of the Mohicans) works from a solid script by Stuart Beattie that balances action and suspense with plenty of great character moments. The film builds nicely, with Foxx’s character instigating a few surprising turns of events. Cruise’s character is the icy, heartless …
[7] The Amazing Spider-Man 2 was better than I was expecting. Unlike nearly all the Batman movies, the Spider-Man movies — both the Sam Raimi ones and these new ones from Marc Webb — succeed in keeping the hero upfront and interesting, the star of his own movie, you know? So I gotta give Spidey credit there. In fact, a lot of people are probably …
[4] I really like Oliver Stone about half the time, but the show-offy style he used with Natural Born Killers and J.F.K. doesn’t service Any Given Sunday. Those other films, with their multiple perspectives and drug-induced visions, felt right to employ rapid editing and multiple media. But Any Given Sunday is (or should have been) a reality-based ensemble drama about the rigors and tribulations of …
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