Margot Kidder

[6] Margot Kidder (Superman: The Movie) and Jennifer Salt star in director Brian De Palma’s blatant love letter to Alfred Hitchcock. De Palma starts the movie off in a Psycho-like fashion, introducing us to an actress (Kidder) who takes a man home for a one-night stand. After we spend a good twenty minutes or so with the lovers, a woman in an apartment across the …

[4] Christopher Reeve returns as the ‘man of steel,’ along with several of his supporting players. Unfortunately, the third time is not a charm. The screenplay is a fractured, incoherent mess. We get the Richard Pryor character’s rise to influence, Clark Kent’s return to Smallville, and Superman’s battle with a super-computer all in one movie. Director Richard Lester returns (after directing part of Superman II), …

[6] James Brolin and Margot Kidder move their family into a house with an evil past. The previous family was murdered in the house, and now evil spirits are determined for history to repeat itself. I could have done without so many unrelated scenes with Rod Steiger, whose priest character brings a lot of unnecessary religious mumbo jumbo into the story. The house is creepy …

1980 Theatrical Version [7] 2006 Richard Donner Cut [7] Three space criminals clad in shiny black suits come to Earth and force Superman into a confrontation, just as he’s decided to give up his powers for a normal relationship with Lois Lane. Superman II was shot concurrently with Superman: The Movie, both under the direction of Richard Donner (The Omen, Lethal Weapon). But after Donner had …

[2] When Rob Zombie re-booted Halloween in 2007, trading Michael Myers’ boogeyman mystique for a more pointed psychological explanation for his behavior, I didn’t hate it. While I much prefer not to see the man behind the mask or to understand his motivations, I thought Zombie’s remake was a somewhat interesting experiment. But his version of Halloween II is a whole different and far worse …

[9] This was the first blockbuster superhero movie (for better and for worse) and I doubt there will ever be a better film adaptation for the Man of Steel. Under Richard Donner’s (The Omen, Lethal Weapon) direction and good taste, Superman is a winning blend of action, drama, charm, and yes, camp. The first forty minutes are emotionally powerful, more than any other comic book …