[6] This first Planet of the Apes sequel is a mixed bag, but the second half wins me over. The first half of the movie is an uninspired retread of the first film, with James Franciscus replacing Charlton Heston as the main character. I like Franciscus. He manages to convey bewilderment and horror without overacting the way Heston does. The movie starts to distinguish itself …
[7] This Hammer production is, in the best way possible, like a live-action episode of Scooby-Doo, complete with pirates, marsh phantoms, scarecrows, and secret identities. The charismatic cast is headlined by Peter Cushing as the dubious town vicar and Patrick Allen as a British captain sent to investigate an alleged smuggling ring. The mystery is as transparent as anything the Scooby gang ever encountered, but …
[8] George Lazenby makes his one and only appearance as 007 in this underappreciated installment of the series. Lazenby was a model with little-to-no acting experience trying to take over a role that Sean Connery made iconic. With that said, the amazing thing about On Her Majesty’s Secret Service is how good it is in spite of Lazenby’s contribution. The story this time centers around old …
[6] Gordon Scott’s second outing at Tarzan is far better than his first, and it’s also the first Tarzan film to be shot in color! This time around, the loinclothed lord is tasked with helping five passengers of a crashed airplane safely out of the jungle. Along the way, our heroes have to contend with a traitorous big game hunter and a reclusive tribe of …
[8] It may be tempting to dismiss Planet of the Apes as high camp, but there’s provocative science-fiction under those monkey masks. Charlton Heston plays an American astronaut who’s on his way back to Earth when he crashlands on a strange, desolate planet where apes rule and humans are primitive beasts of burden. Heston is captured, tortured, and humiliated by the apes. He finds sympathy …
[6] Roger Moore makes his debut as James Bond in Live and Let Die, a weird blend of voodoo magic and blaxploitation that stands apart from any other entry in the Bond ouvre. Moore does an admirable job taking over the role from Sean Connery. I actually prefer Moore, but I grew up with him in the role, so I’m understandably biased. Live and Let …
[6] Sean Connery returns one more time (not counting his appearance in 1983’s unofficial entry, Never Say Never Again) in what is easily the silliest of his Bond films. Charles Gray picks up the part of archvillain Blofeld, who this time is hording the world’s diamond supplies so that he can build an orbiting laser gun to terrorize the world. I like the light, breezy …
[6] The stakes are lower than usual and the action in short supply, but Roger Moore’s second outing as James Bond almost makes up for it in character. The colorful supporting cast includes Christopher Lee as a three-nippled baddie and diminutive Hervé Villechaize (TV’s Fantasy Island) as his lethal handy-man. Britt Ekland and Maud Adams are the Bond girls this time around, and I’d rank both of …
[6] Civil War soldiers escape capture in a hot air balloon only to become stranded on an uncharted island inhabited by mutant creatures. Mysterious Island is more than just another showcase for effects pioneer Ray Harryhausen. I enjoyed the survival aspect of the storyline, which throws disparate personalities together and forces them to depend on each other for survival (a notion I always tend to …
[6] This may be Roger Moore’s quintessential outing as James Bond, but The Spy Who Loved Me suffers from a wretched co-starring performance from Barbara Bach (Mrs. Ringo Starr) and a boisterous, sloppily choreographed climax on the sea. This is also the Bond that begins to tilt the franchise’s tone from ‘tongue-in-cheek’ to slapstick, thanks primarily to the introduction of the goofy Jaws (Richard Kiel) …
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