[4] Kevin Costner headlines this big summer popcorn muncher about the legendary archer-turned-rebel who rallies his outcast merry men to battle the greedy Sheriff of Nottingham (Alan Rickman) and fall in love with the fair maid Marian (Mary Elizabeth Mastrantonio). The script covers the familiar plot markers, the sets are grand, the score rousing, and many of the supporting cast give it their all. Yet …
[4] Bruce Willis stars as a private eye trying to protect a stripper who thinks she’s in danger. When she ends up killed, her boyfriend, a disgraced football player (Damon Wayans), ingratiates himself to Willis to help discover who’s responsible for her murder. The story ends up involving corruption at the highest levels of government and professional football. The Last Boy Scout is a cookie-cutter …
[8] Mel Gibson and Danny Glover star in this definitive ‘buddy cop’ movie directed by Richard Donner (Superman, The Omen). What sets this apart from its imitators are the well-rounded characters created by screenwriter Shane Black, and the engaging chemistry between Gibson and Glover. Lethal Weapon is a highly polished action flick. In addition to Donner’s slick staging, the film also sports terrific night-time cinematography …
[7] A rescue team investigates a seemingly abandoned spacecraft that has been inside a black hole and discover that its… well, basically it’s haunted. Sam Neill and Laurence Fishburne star in this haunted spaceship flick that plays like a cross between Alien and Hellraiser. Some nice moments of tension, especially involving airlocks and decompression, but the barrage of ‘is it real or is it imaginary’ …
[5] Licence to Kill is the anti-Bond. Timothy Dalton is out for revenge in this one (his second and final outing in the role), and the performance is desperately missing the character’s trademark nonchalance. Without it, it just isn’t Bond. It’s one of a number of generic 80s action flicks fueled by revenge, centered around the drug trade, full of explosions, and scored by Michael Kamen …
[9] “What if a gun had a soul?” That’s how director Brad Bird pitched The Iron Giant to Warner Bros. Animation. The gun in question is The Iron Giant himself, a robot of unknown origin that crash lands on Earth in 1957, at the height of the atomic scare. He dents his head and can’t remember where he’s from or why he exists. He befriends …
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