Director David Fincher rebounded from Alien 3 with this seemingly innocuous serial killer flick penned by Andrew Kevin Walker. We’d seen buddy cop flicks and killers with gitchy modus operandis before, but characterization and style put Se7en over the edge. It’s a deeply creepy and unsettling movie centering around a seasoned detective (Morgan Freeman) and a rookie (Brad Pitt) who are paired in pursuit of a mysterious killer who’s patterning his murders after the seven deadly sins. Talk about your horror set-pieces. The scene where the detectives discover ‘Sloth’ contains one of the most memorable shocks I’ve ever experienced at the movies, and the way in which ‘Lust’ is played out also haunts my memories. Freeman and Pitt’s performances keep the story well grounded and relatable, while composer Howard Shore washes the movie in a brooding orchestral score that reinforces the film’s constantly claustrophobic atmosphere.
According to IMDb, this is the most well-liked movie of all time. And true enough, I’ve never met a person who did not like it. A film about two convicts passing the time behind prison walls could have been an insufferable downer, but there’s a mystery behind Tim Robbins’ main character, Andy, that keeps you deeply engrossed in Stephen King’s story. Andy selflessly inspires the other inmates at increasingly greater risk to himself, eventually becoming almost a folkloric hero by the end. Along the way, he endears himself to a fine cast of supporting players headed by Morgan Freeman as Redd, who narrates the film more beautifully than a film has ever been narrated before.
