[7] Errol Flynn stars in his most enduring performance in this romantic action adventure that has captured audiences of all ages for more than three-quarters of a century. You know the story: In the absence of King Richard, Prince John seizes control of the land and taxes it into despair, causing a renegade Saxon named Robin Hood to come to the people’s defense, stealing from …
[7] Errol Flynn and Olivia de Havilland reteam after their initial pairing in Captain Blood. This time, they’re in a love triangle that plays out during an Indian massacre of British women and children, later spurring into action the contents of Alfred Lord Tennyson’s vengeful Charge. For a film from the ’30s, Charge has balls. You see women and children die on screen during some …
[7] Errol Flynn tries a Western on for size (his first of eight), seizing the sheriff’s badge and cleaning up the lawless town of Dodge City. He’s with his usual leading lady, Olivia de Havilland, and his usual sidekick, Alan Hale, all under Michael Curtiz’s sure-handed direction. (In fact, there’s a scene in the saloon where rival groups compete in song, a scene Curtiz would …
[7] It’s surprising Errol Flynn didn’t make more screwball comedies, because he’s completely at home in this ‘who’s duping who’ comedy, outrunning the guard dogs, shaking hands with people in side-by-side moving cars, and carrying on romantic telephone conversations with two women simultaneously. In Four’s a Crowd, he’s teamed with his regular leading lady Olivia de Havilland, as well as Rosalind Russell (in a newspaper …
[7] Bette Davis plays Queen Elizabeth the first, in love with Errol Flynn’s Earl of Essex, in this period technicolor drama from director Michael Curtiz (Casablanca, The Adventures of Robin Hood). Both stars conjure the necessary pathos of their characters’ doomed relationship. His love is tainted by his thirst for power, while hers is hindered by her royal standing and social responsibilities. The film’s finale …
[7] Hollywood’s most celebrated melodrama is still entertaining today. Vivien Leigh does a remarkable job playing one of the most volatile heroines in film history. Scarlet O’Hara begins Margaret Mitchell’s story damned spoiled, and I’m not sure she ever really learns her lesson, but Leigh renders a subtle transformation while always remaining true to character. My other favorites are Olivia de Havilland (sweet in everything …
[5] The least entertaining (even in a cheezy way) of the Airport disaster ilk. The star-studded cast seems to realize what a turkey they’re in, but mad cheers to Olivia de Havilland, Christopher Lee, Lee Grant, and Darren McGavin for making the most of it. Grant in particular really chews up the scenery here. Everyone else in the cast, including Jimmy Stewart, Jack Lemmon, Joseph …
[7] Based on the novel Washington Square by Henry James, The Heiress centers around Catherine (Olivia de Havilland), a shy, socially inept young woman who gets swept off her feet by a dashing young destitute (Montgomery Clift). When her father (Ralph Richardson) accuses the man of preying on his daughter’s inheritance, he threatens to cut her off. Putting all her faith in her first love, …
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