Owen Wilson

[3] In this third Meet the Parents film, Robert DeNiro’s characters suffers a heart attack, causing renewed concern that his son-in-law, played by Ben Stiller, be able to carry on as the family’s patriarch when he’s gone. Little Fockers feels hastily concocted with a script that’s overly-contrived and an ensemble cast that is barely ever in the same room together. As much as I’ve enjoyed …

[7] Ben Stiller and Robert DeNiro headline this ‘comedy of errors’ flick about a male nurse seeking permission from an ex-CIA agent to take his daughter’s hand in marriage. Formula comedies usually fail or succeed on the strength of casting. To that end, Stiller and DeNiro carry Meet the Parents over the finish line. The screenplay conjures up a handful of memorable moments — including …

[7] Pixar has an uncanny way of dressing up an old familiar formula and making it seem brand new. Cars is a story about life in the fast lane (literally and figuratively), and the dangers of forgetting to smell the flowers and cherish all the little things. It could so easily have been cloying and cheap, but Pixar puts so much genuine emotion and sincerity …

[7] I love movies. But unlike most other people who love movies, I don’t love Wes Anderson movies. To me they’re a case of too much style over too little substance. I never care about the story or the characters, and I’m usually more inclined to fall asleep than chuckle at anything. And while The Grand Budapest Hotel is probably my favorite Anderson flick so …

[6] Ben Stiller gives a career-best performance in Permanent Midnight, based on Jerry Stahl’s autobiographical book of the same name. As Jerry, Stiller plays a Hollywood writer whose heroin habit almost destroys him. Elizabeth Hurley and Maria Bello play romantic interests, while Owen Wilson, Janeane Garofalo, and Fred Willard pop up in supporting roles. While Stahl’s downward spiral is certainly harrowing, complete with endangering the …