[7] Fritz Lang (Metropolis, M) directs this adaptation of Graham Greene’s novel about a British man (Ray Milland) recently released from an insane asylum who gets caught up in a Nazi attempt to smuggle sensitive information out of England during World War II. Lang brings a lot of style and paranoia to the film, particularly in two strong opening sequences. The first begets a mystery …
[6] Maestro Billy Wilder directs Ray Milland as a drunk writer circling the drain in the multi-Oscar-winning The Lost Weekend. Milland’s character is supposed to begin recovery on a long holiday weekend with his brother (Phillip Terry) and gal pal (Jane Wyman), but after he steals money to spend at his favorite bar, he gets drunk and misses their departure time. Things get progressively worse …
[7] Three orphans grow up together as brothers under the care of a kindly benefactor. When they’re old enough, they join the Foreign Legion, but their dreams of adventure are dashed when a sinister sergeant turns their first outpost into a last stand. There are shades of Gunga Din here, but it’s not nearly as carefree or uplifting as that movie. The final act is …
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