Paths of Glory (1957)

Paths of Glory (1957)

[8] To say this movie is an expose on the horrors of war is an understatement and an oversimplification. War is just a backdrop, and the indictment is a broader one of man's inhumanity to man. What makes Paths of…
Barry Lyndon (1975)

Barry Lyndon (1975)

[5] Beautifully shot and slavish to Kubrick's singular, intentionally off-putting vision, Barry Lyndon follows the circuitous rise and fall of an unscrupulous man through love and war, as he swindles his way into aristocracy and sews the seeds of his…
Eyes Wide Shut (1999)

Eyes Wide Shut (1999)

[7]

In the final film from Stanley Kubrick, a socialite couple (Tom Cruise and Nicole Kidman) get in over their heads when they decide to follow their adulterous impulses. This movie gets a bad rep, but I think it’s primarily because the casting of two superstars led to more commercial audience expectations. It’s a more intimate portrait than that, and beautifully made. I really love the weed-smoking scene, especially for the sinister undertone in Kidman’s performance. She outshines Cruise in this movie. Thematically, I enjoyed the exploration of infidelity — men’s, women’s, real, imagined.  I find it interesting that the female character needs her husband to acknowledge her desires, while he seems uncomfortable acknowledging his own. (Ironic casting of Cruise?  I think so.) And of course, it’s also fun to see the posh, clandestine orgy scene of Kubrick’s dreams (with the full-frontal shots restored to the most recent DVD and blu-ray releases).

Spartacus (1960)

Spartacus (1960)

[8]

Fans of Ridley Scott’s Gladiator might be surprised how much they will also enjoy (perhaps even prefer) its progenitor. Stanley Kubrick’s Spartacus is a briskly-paced epic, and uncharacteristically emotional compared to his other work. Kirk Douglas is iconic in the lead role, playing a slave forced to fight in the gladiatorial arena for the enjoyment of the aristocracy. Of course he falls in love with a fellow slave girl, of course he escapes, and of course he leads a mammoth army of slaves in revolt against Rome… but when these broad strokes are painted so earnestly, I don’t care. The bleak, bold final act of the film is what really sells the story for me.

The Shining (1980)

The Shining (1980)

[9] Stanley Kubrick takes on Stephen King, and while it may not be the most faithful adaptation, The Shining is a gorgeously crafted plunge into fear and insanity. Jack Nicholson and Shelly Duvall play a husband and wife who take…