Director Marc Webb (500 Days of Summer) takes on the web-slinging superhero in this hasty reboot of the franchise (just five years after Sam Raimi finished his trilogy). Andrew Garfield (The Social Network, Never Let Me Go) stars as Peter Parker, a high schooler who gets bitten by a radioactive spider and… you know the rest. The approach here is more realistic than Raimi’s, which provides Garfield (one of the finest actors of his generation) the opportunity to sink his teeth into a surprisingly angsty role. I can’t think of another time when a superhero role provided an actor more dramatic range. Emma Stone (Easy A, Zombieland) is given far less to do as Parker’s love interest, Gwen Stacy, but she makes the most of it. Martin Sheen and Sally Field bring gravitas in the roles of Parker’s Uncle Ben and Aunt May, while Denis Leary plays the police chief who doesn’t appreciate Spider-Man’s vigilante antics. Rhys Ifans (Notting Hill) picks up the mantle of super-villain, playing Curt Connors, a sympathetic scientist who’s desire to rid the world of disease leads to risky, gene-splicing self-experimentation. He becomes Parker’s third-act adversary — a raging Lizard monster.
I wasn’t a huge fan of the first two Iron Man movies. A little snarky Robert Downy Jr. goes a long way with me. I like him better when he’s part of an ensemble (like in The Avengers). So while it may be faint praise, I did enjoy this third film in the series most of all.
This was the first blockbuster superhero movie (for better and for worse) and I doubt there will ever be a better film adaptation for the Man of Steel. Under Richard Donner’s (The Omen, Lethal Weapon) direction and good taste, Superman is a winning blend of action, drama, charm, and yes, camp. The first forty minutes are emotionally powerful, more than any other comic book adaptation I’ve ever seen. I get choked up every time I watch this movie, whether it’s seeing Marlon Brando (as Jor-El) say goodbye to his son before sending him away from their doomed home world, watching the Kent family deal with the death of Jonathan Kent, or the gorgeous wheat field scene where Clark tells Ma Kent it’s time for him to go.
