Hollywoodland (2006)

Hollywoodland (2006)

[8] Adrien Brody (The Pianist, The Thin Red Line) plays a '50s Hollywood detective investigating the mysterious death of actor George Reeves, played by Ben Affleck (Gone Girl, The Town). Hollywoodland is based on the true story of Reeves, who…
Batman V Superman: Dawn of Justice (2016)

Batman V Superman: Dawn of Justice (2016)

[5] Batman V Superman: Dawn of Justice feels like a movie with an identity crisis, tasked with performing two disparate, thankless tasks. The first is to set up a big fight between two iconic superheroes. You know, the kind of…
Superman IV: The Quest for Peace (1987)

Superman IV: The Quest for Peace (1987)

[2] The short review: WTF? The longer review: From the first opening frame, you know right away this is a cheap, watered down, bargain basement Superman movie. (Thank you, Golan-Globus Productions!) But even if you can overlook the astonishingly awful…
Man of Steel (2013)

Man of Steel (2013)

[2]

I haven’t wanted to walk out of a movie I paid for in a long, long time, but I damn near walked out of this one. “Man of Steel” is ridiculously awful. At best (if I weren’t a Superman fan), it’d be “Transformers 4”, another busily boring, loud, emotionally bankrupt piece of nauseating, over-indulgent, digital miasma. But if you are a Superman fan, this film is downright offensive and insulting.

Superman: The Movie (1978)

Superman: The Movie (1978)

[9]

This was the first blockbuster superhero movie (for better and for worse) and I doubt there will ever be a better film adaptation for the Man of Steel. Under Richard Donner’s (The Omen, Lethal Weapon) direction and good taste, Superman is a winning blend of action, drama, charm, and yes, camp. The first forty minutes are emotionally powerful, more than any other comic book adaptation I’ve ever seen. I get choked up every time I watch this movie, whether it’s seeing Marlon Brando (as Jor-El) say goodbye to his son before sending him away from their doomed home world, watching the Kent family deal with the death of Jonathan Kent, or the gorgeous wheat field scene where Clark tells Ma Kent it’s time for him to go.