[7] Writer/director Ari Aster brings us one of the more original and interesting horror movies of the last few years — I just wish it moved faster than molasses in January. Toni Collette stars as a woman who finds herself simultaneously mourning the loss of her mother and concerned about the strange behavior of her young daughter. Turns out the two concerns are connected in …
[6] Nastassja Kinski stars in this slow-moving tale of a woman who discovers her sexual urges transform her into a black leopard. Kinski learns her brother, played by Malcolm McDowell, shares the same curse and wants to forge a sexual (and incestuous) relationship with her so they can both experience sex without killing their partners. But Kinski ends up having the hots for a zoo-keeper …
[5] Albert Finney, Gregory Hines, Edward James Olmos, and Diane Venora star in this thriller about ancient shapeshifters lashing out at New York land developers for encroaching on their sacred ground. The wolf attacks are depicted with steadicam point-of-view shots and colored photography, which isn’t all that cool the first time, much less the second or third. The cast all do great jobs, especially Olmos, …
[7] Director Kathryn Bigelow (Strange Days, The Hurt Locker) serves up a stylish, brooding vampire tale set in the southwest. I dig Bigelow’s tone, atmosphere, and terrific casting. Bigelow tapped into the Aliens ensemble to cast Bill Paxton, Lance Henriksen, and Jenette Goldstein as a family of nomadic vamps. Paxton and Henriksen bring much-needed energy to the somber storytelling in a pair of fearless, over …
[6] Part two in the Amityville franchise is actually a prequel exploring the grisly deaths of the previous family who lived in the cursed home. The first half of the movie builds to a pretty shocking climax, where the oldest son (Jack Magner) shoots his parents and three siblings to death. The second half is an attempt to immitate The Exorcist, with the family priest …
[8] This is more of a remake than a sequel, but most fans agree that it tops the original. Director Sam Raimi continues his imaginitive use of camera angles and movement, sound effects, and low-budget visual effects, but the winning ingredient is returning star Bruce Campbell. It’s in this film that the character of Ash begins to take on the status of horror movie legend. …
[6] James Brolin and Margot Kidder move their family into a house with an evil past. The previous family was murdered in the house, and now evil spirits are determined for history to repeat itself. I could have done without so many unrelated scenes with Rod Steiger, whose priest character brings a lot of unnecessary religious mumbo jumbo into the story. The house is creepy …
[6] Kenneth Branagh directs and stars in this somewhat faithful adaptation of Shelley’s spectacular novel. While it hits most of the plot points, it doesn’t quite capture the essence of Shelley’s work — that if you tinker irresponsibly with nature (or play God), you’ll reap the whirlwind. This could have been achieved if Branagh gave a more believable performance. He and Helena Bonham Carter are …
[5] Happy Death Day is Groundhog Day meets Scream, but not as interesting as either of those films. Jessica Rothe stars as a sorority girl who relives her birthday over and over again, each time ending in her death at the hands of a mysterious baby-masked killer. I’m not a fan of cyclical narratives or gimmicky movies, so to be honest, I was already dreading …
[4] A motley group of townsfolk fall under siege at a nearly-abandoned hospital surrounded by mysterious, hooded cult figures brandishing knives. Before they can figure out who the cultists are or what they want, strange creatures start popping out of the shadows inside the hospital that like to eat and transform their victims. Also, the hospital has a weird secret lower level to it, where …
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