The Roman Spring of Mrs. Stone (1961)

The Roman Spring of Mrs. Stone (1961)

[7] Vivien Leigh and Warren Beatty star in this adaptation of Tennessee Williams's novel about an aging starlet (Leigh) who becomes a widow while vacationing in Italy. She reluctantly agrees to let a scheming contessa (Lotte Lenya) set her up…
Bulworth (1998)

Bulworth (1998)

[8] Warren Beatty co-wrote, directed, and stars in this dark comedy about a suicidal politician who puts a hit out on his own life before ending his political campaign with a blunt truth-telling tour that enrages his donors but thrills…
Ishtar (1987)

Ishtar (1987)

[3] Ishtar is one of the most notorious box office failures of all time. And after having seen it, it's easy to see why. It sucks. And that's baffling considering the immense talent of the creatives involved. Actors Dustin Hoffman…
Dick Tracy (1990)

Dick Tracy (1990)

[5] Visually striking but emotionally hollow, Warren Beatty's film version of Chester Gould's comic creation is an underwhelming would-be blockbuster. The only character you can get invested in is Madonna's Breathless Mahoney. Everyone else, including our strong-jawed hero, is as…
Splendor in the Grass (1961)

Splendor in the Grass (1961)

[7] Warren Beatty made his screen debut alongside Natalie Wood in this Elia Kazan film about sexual repression in 1920s middle-America. Beatty and Wood play Bud and Deanie, high school lovers who plan to get married and consummate their growing…
Heaven Can Wait (1978)

Heaven Can Wait (1978)

[5] A light, fluffy, inconsequential comedy about a man who dies and is given the opportunity to return to life in another man's body. The movie works best during it's 'fish out of water' scenes, where Warren Beatty interacts with…
Bonnie and Clyde (1967)

Bonnie and Clyde (1967)

[9]

Warren Beatty and Faye Dunaway star as the legendary real-life bank robbers in Arthur Penn’s volatile Bonnie and Clyde. With its anti-hero point of view and graphic violence, this film helped lead the charge for grittier, more realistic fare that cropped up throughout the ’70s. While the film certainly sensationalizes the criminals, it also humanizes them. It’s easy to see how a bored waitress like Bonnie Parker would fall for a handsome bad boy like Clyde Barrow (I mean, who wouldn’t get in a car with smoking-hot Warren Beatty?) And since the two only robbed banks, they became folk heroes to a working class destroyed by foreclosures. I also like that the film suggests Clyde is impotent. It’s refreshing to see a tough guy with flaws and foibles, and it also makes the romantic relationship more interesting than most.