John Hillcoat (The Road) directs this true story co-written and scored by Nick Cave. Shia LaBeouf (Transformers) and Tom Hardy (The Dark Knight Rises) star as entrepreneurial brothers who make and sell moonshine in prohibitionist Virginia. The brothers already have an ‘understanding’ with the local law enforcement, but when a gangster (Gary Oldman) and a dirty district attorney (Guy Pearce) vie for a piece of the boys’ profits, things get out of hand… quickly and violently.
Charlie Hunnam (Sons of Anarchy, Pacific Rim) stars as Frankie, a hapless fellow who is constantly humiliated on camera by his older brother, Bruce (Chris O’Dowd). After one of Bruce’s videos became an internet sensation, Frankie went into isolation. But now that Bruce is getting out of rehab, their mother (Nora Dunn) convinces Frankie to give his brother a second chance. Unfortunately, Bruce is still up to his old tricks and a new, even more volatile video has hit the web. Can the brothers work together to stop the video from going viral before multiple lives are ruined?
Logan Lerman (from the Percy Jackson movies) stars as Charlie in this coming-of-age drama/romance about a socially awkward high school boy who finds solace among the ‘freaks’ while overcoming a past trauma that left him hospitalized. Emma Watson (Hermione from Harry Potter) and Ezra Miller co-star as Sam and Patrick, Charlie’s newfound friends. Together, the trio bond over music and star in a production of The Rocky Horror Picture Show — very much the counter-culture sort of kids. Things go swimmingly until Charlie starts to fall for Sam, and Patrick’s secret relationship with a member of the football team is exposed to the whole school. As these and other dramatic entanglements threaten to destroy his new friendships, Charlie also begins having painful flashbacks surrounding the death of an aunt.
After suffering the suicide of his older brother, Steve (James Marsden) and his family relocate to Cradle Bay, where some of the kids at school aren’t quite themselves these days. With the help of new-found friends Rachel (Katie Holmes) and Gavin (Nick Stahl), Steve discovers that a local doctor, Caldicott (Bruce Greenwood), is conspiring with parents to lobotomize their teens in order to create “good boys and girls”, all of whom become members of the school’s Blue Ribbon elitist clique. Caldicott’s experiments stymie the Blue Ribbons’ sexual impulses and mold them into academic achievers that spend a great deal of time trying to recruit others to “the program”. Unfortunately, the experiments don’t always work. As someone comments in the film, “Whenever one of these kids gets a hard-on, they want to beat someone over the head with it.” But this doesn’t stop Caldicott or the town’s parents from expanding Blue Ribbon membership. When Steve’s parents enter him in Caldicott’s program, he plans a desperate escape, not just from Cradle Bay, but from school, his parents, and the past — the archetypal plight of just about every teenager that ever lived.
This may be a guilty pleasure, but I also think it inherited an unfair reputation, too. George Lucas wanted to produce a comic film noir. No matter how well it was done, it would never be a huge hit. His name proved cancerous to the movie, unintentionally promising universal appeal for what is really a niche movie. The critics took their best shots and Howard the Duck went down as one of the most famous flops in movie history.
