The Conjuring (2013)

The Conjuring (2013)

[6]

The Conjuring, written by twin brothers Chad and Carey Hayes and directed by James Wan (Dead Silence, Saw), is an old-fashioned haunted house story that morphs into one of demonic possession. After some clunky exposition, the first half of the film is a solid tension-filled spook fest. Lili Taylor and Ron Livingston play parents of four young girls who unwittingly move their family into an old house where some pretty serious shit went down. With the help of husband and wife paranormal investigators (Patrick Wilson and Vera Farmiga) and the superfluous involvement of several horror tropes (a nasty doll, a witch, a music box, etc.), you start to figure out what’s going on and who’s behind it all. Unfortunately, the more you learn, the less interesting the movie gets. By the time Lili Taylor steps into pea soup-spewing territory, the movie’s stock starts to plummet.

A Face in the Crowd (1957)

A Face in the Crowd (1957)

[8] A Face in the Crowd is a surprisingly relevant movie, despite the fact that it's now over 50 years old. Andy Griffith stars as "Lonesome" Rhodes, a country singer who becomes a media sensation. As the public fawns over…
Thoroughly Modern Millie (1967)

Thoroughly Modern Millie (1967)

[6]

Julie Andrews stars in this 1920s madcap musical as the title character, a woman looking to land a job and a husband in the big city, but ends up embroiled with a nefarious white slave trader! Mary Tyler Moore is underutilized as the woman Millie has to rescue from slavery, but Carol Channing chews the scenery in a bizarre Oscar-nominated performance only she could have pulled off. The musical numbers are a little unrelated to the storyline and they do go on a bit long, but there aren’t many numbers in the movie, and I believe they’re all over before the intermission. After the intermission, things move very quickly. Director George Roy Hill (The Sting, Butch Cassidy and the Sundance Kid) stretches out of his comfort zone so well, the last half-hour will have you wondering if Blake Edwards took over the film. It’s an intentionally silly, over-the-top sort of movie that pays off better than most of its sort.

Waterloo Bridge (1931)

Waterloo Bridge (1931)

[7]

This is the first of at least three film versions of Robert L. Sherwood’s play about an American soldier who falls in love with a Londoner during a World War I air raid, unaware that she is a prostitute. Director James Whale (Frankenstein, The Invisible Man) delivers a solid melodrama with two great lead performers. I was particularly taken with Kent Douglass as Roy. At times, he seemed to display the kind of naturalistic acting style that wouldn’t become popularized until Brando hit the scene decades later. I totally bought Roy’s doe-eyed infatuation with Myra (Mae Clarke), hook, line and sinker. Clark is good with the tremendous amount of pathos the screenplay gives her to work with.

Doctor Zhivago (1965)

Doctor Zhivago (1965)

[4]

I knew I would eventually have to watch this 3-hour 20-minute behemoth and thank goodness it’s over. Doctor Zhivago is a sprawling epic about the Russian Revolution as seen through the eyes of a doctor (Omar Sharif) who wants to have his cake (his wife is played by Geraldine Chaplin) and eat it, too (his mistress is played by Julie Christie). The first half is dense with plotting and myriad characters — I was getting pretty sleepy. But once Zhivago becomes an exile, I became more alert and the movie picked up speed. Still, when it was all over, I was underwhelmed. He loved two women, he inspired a nation, and I just didn’t care.

The Island of Dr. Moreau (1977)

The Island of Dr. Moreau (1977)

[6] An Englishman finds himself prisoner on an island where a mad doctor is mixing human and animal DNA. The fine line between what is human and what is animal is one of my favorite subjects, so I love the…
The 24th Day (2004)

The 24th Day (2004)

[6] An HIV-positive man kidnaps a former fling and forcibly tests him for the virus, ready to exact revenge if the test results are positive. Scott Speedman (Felicity, Underworld) plays the aggressor and James Marsden (X-Men, Enchanted) plays the victim.…
Exodus (1960)

Exodus (1960)

[4] Paul Newman, Eva Marie Saint, and Sal Mineo put their lives on the line to lead hundreds of Jewish refugees into Palestine during the wake of WWII in Otto Preminger's Exodus. The film has its moments, but for subject…
Ladyhawke (1985)

Ladyhawke (1985)

[7] Two lovers are bewitched by a jealous Bishop -- the man (Rutger Hauer) is transformed into a wolf by night, the woman (Michelle Pfeiffer) is a hawk by day. They only see each other in human form for a…
The Werewolf (1956)

The Werewolf (1956)

[5] A car crash victim (Steven Ritch) is injected with wolf serum by experimenting scientists and before long, hirsute hijinks ensue. This werewolf flick from prolific B-movie producer Sam Katzman plays up the emotional and psychological angles better than most,…