Call me a sucker for an Olympic swimmer in a loincloth, but I enjoy Johnny Weissmuller’s maiden swing through the jungle. This first feature in the long running matinee series is the one where Tarzan meets Jane (Maureen O’Sullivan), whose on expedition with her father to find a fabled elephant graveyard. He kidnaps her, but then she saves him from her angry father, he learns a little English (“Me Tarzan, you Jane”), and the two fall in love. Hey, if it can happen that fast for the J-Lo, it can happen that fast for the Lord of the Apes.
A man is wrongly convicted and sentenced to a brutal chain gang in this gripping tragedy from Mervyn LeRoy (The Wizard of Oz). Paul Muni (Scarface, Life of Emile Zola) stars as the innocent prisoner who succeeds in a daring escape and becomes a well-respected member of society before the law catches up with him. State extradition laws offer him some sanctuary, but Muni is tricked into voluntarily returning to the labor camp with the hope of wiping his record clean. Once there, all hope of a promised pardon vanishes and he’s forced to plot his second deadly escape.
Errol Flynn and David Niven star as World War I pilots confronting the grimmest odds of survival in this exciting and moving remake of Howard Hawks’ 1930 original. With its wartime setting and nary a woman in the cast, The Dawn Patrol is another great bromance in the grand tradition of war stories — it’s all about camraderie, brotherhood and sacrifice.
Hollywood’s most celebrated melodrama is still entertaining today. Vivien Leigh does a remarkable job playing one of the most volatile heroines in film history. Scarlet O’Hara begins Margaret Mitchell’s story damned spoiled, and I’m not sure she ever really learns her lesson, but Leigh renders a subtle transformation while always remaining true to character. My other favorites are Olivia de Havilland (sweet in everything she’s in), Hattie McDaniel (who deserved her Oscar), and Butterfly McQueen (for bringing a little comedy to the proceedings). I don’t get Leslie Howard as Ashley. For being the crux of the movie’s romantic triangle, I’d like to have known what was so darned special about him. Max Steiner’s music, especially the Tara theme, is among the most memorable ever composed for film.
