[6] Two boys accidentally uncover a portal to hell and then have to fend off the demons that emerge from it. Probably for budgetary reasons, The Gate takes place almost entirely in one house, but the menace really needed to grow beyond in order to make a bigger impression. The demons themselves lack identity. They take the form of tiny monsters, one big monster, and …
[8] Special effects maestro Ray Harryhausen brings Greek myths to life in Clash of the Titans. The story centers on heroic Perseus, favored son of Zeus, who must accomplish several deadly chores in order to save his beloved Andromeda from being sacrificed to the monstrous Kraken. The film features a wide array of stop-motion animated characters, including Pegasus the winged horse, Bubo the mechanical owl, …
[8] Harrison Ford must hide among the Amish after he discovers corruption within his police department. Witness was an opportunity for Ford to show his acting chops, and it remains one of his best performances. This was the first American film made by Australian director Peter Weir (Picnic at Hanging Rock, Fearless). Weir is probably my favorite director. He balances poetic license with elegant restraint …
[5] After the unbridled silliness of Moonraker, For Your Eyes Only makes an effort to dial down the franchise’s more comic-book qualities. After an unceremonious pre-title demise of long-time supervillain Blofeld, For Your Eyes Only achieves that goal, but it struggles to forge a unique identity in the series. With yet another villain seeking nuclear power and a rehash of skiing and underwater stunts from …
[2] The charm that young Jason Bateman exhibited on television’s The Hogan Family is absent here, stifled by a painfully insipid script and direct-to-video production values. I can’t think of another movie sequel that so closely mimics its predecessor. The only differences between the two movies are the lead actor and the sport they play. The film even returns several inconsequential supporting characters, whether they’re …
[6] Don Bluth’s films (The Land Before Time, The Secret of NIMH) tend to be too mature for children and too immature for adults. Consider All Dogs Go to Heaven, where one moment you have cutsey critters singing a cringe-worthy song about sharing, and then you have a dog literally escaping hell to say goodbye to the little orphan girl he betrayed. At least All …
[6] Roger Moore is looking worse for wear in his penultimate outing as James Bond, but Octopussy still satisfies on most levels. This time around, Bond is trying to uncover a global jewel-smuggling operation that ends up being a cover for a nuclear attack against NATO forces. I like that Desmond Llewelyn, as curmudgeonly Q, has a larger part this time around, and I’m also …
[6] Troll is a dark fantasy confined to an apartment building where an evil Troll is sacrificing the tenants to open the doors to another dimension. The makeup effects are a bit hit and miss, with the main troll character being the most successful creation from director John Carl Buechler’s creature shop. Budgetary constraints keep the film from delivering a satisfying climax. Noah Hathaway (Atreyu …
[5] A girl from the San Fernando valley (Deborah Foreman) falls for a city boy (Nicolas Cage), much to the chagrin of superficial friends. Martha Coolidge’s Valley Girl hit the scene just as John Hughes began directing his string of iconic teen flicks, and was probably just as influential in setting the 80s teen trend as any of Hughes’ work. The film is beloved for …
[7] Disney’s The Fox and the Hound opens with a young fox being chased by a hunting dog. It scrambles through the woods and finds a hiding place to ditch the baby fox it’s carrying in its mouth. Then it continues running… and is shot. And that’s just the beginning of the baby fox’s nightmare. A kindly widow adopts the fox and names it Tod. …
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