[3] I went into Jaws: The Revenge (the fourth movie in the series) thinking, ‘Hey, it can’t be worse than the third one.’ And I was right. It’s exactly as bad as the third one. Though for slightly different reasons. Part four brings back not only the shark, but the Brody family. Lorraine Gary reprises her role as Mrs. Brody, now widowed, and her two …
[3] The shark is back, this time working its way into Sea World in Florida where it threatens the tourists. Now, I’m okay if you want to keep bringing back the same shark for four movies, even though it is literally blown to bits at the end of all four of them. For some reason I’ll never be able to explain, I’m even okay with …
[7] Mommie Dearest is something else. I can’t tell if it’s trying to be an earnest expose on the turbulent home life of legendary star Joan Crawford and her adopted daughter, Christina, or if the dark comedy and camp value were intentional. The film is based on Christina’s tell-all book, so we really only get the nastiest parts of the story — how Joan locked her daughter …
[4] Bill Condon (Gods and Monsters) co-wrote this low-budget horror flick that dovetails two storylines — one involving a scientist medically experimenting on teenagers to turn them into controlled assassins, and one about a widower sheriff trying to solve the mystery surrounding his wife’s death many years ago. Despite competent leads in Michael Murphy as the sheriff and Dan Shor (Tron) as his son-turned-assassin, and …
[6] Kevin Costner stars as a Navy officer who gets enlisted by the Secretary of Defense (Gene Hackman) to get secret information from the CIA about a new Russian submarine project. Both men are sleeping with the same woman (Sean Young), but only Costner knows it. When the Secretary murders Young in a fit of rage, he tries to use Costner to help him cover up …
[4] I’d never seen Heaven’s Gate until recently. For decades, it has been the title synonymous with “flop” and studio bankruptcy, but it has also been picked back up, reexamined, and declared somewhat of an artistic treasure in recent years. The story centers around a bloody ongoing battle in 1890s Wyoming between rich cattle barons and struggling immigrant settlers. The settlers steal cattle to feed their …
[8] Writer Alan Ormsby and director Tony Bill create a compelling coming-of-age story that avoids two of the greatest pitfalls of the genre: it doesn’t talk down to its subjects and it doesn’t wallow in sentimentality. Chris Makepeace and Adam Baldwin give fine performances as the ‘new kid’ and the ‘mysterious loaner,’ respectively. Their unlikely friendship develops believably and becomes the heart of the movie. …
[6] Intentionally bizarre and overwrought, I’m not sure what to make of this adaptation of John Irving’s novel about an extended, eccentric family that moves into a down-trodden hotel. I liked a previous Irving adaptation, The World According to Garp, much better. Garp director George Roy Hill was better able to balance the humor and sorrow than Hotel director Tony Richardson. Richardson leans so much …
[4] An American family moves into a British mansion with an old woman (Bette Davis) whose young daughter disappeared over thirty years ago. When the American family’s two daughters begin hearing and seeing things, it quickly becomes obvious that Davis’ daughter is trying to communicate with them through supernatural means. The mystery is so paper thin here, you’ll be ahead of the movie the whole …
[8] Spoiler Review! Sylvester Stallone further cemented his action super-star status with this smart, character-driven thriller about a former Green Beret suffering from post-traumatic stress who gets bullied by a small mountain-town sheriff and his deputies. When the soldier finally defends himself, the police force him into an all-out war in the misty mountainside, where his special training helps him evade the law and stay …
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