[10]

Harrison Ford gives one of his best performances as Allie Fox, an obsessed inventor who moves his family to a Central American jungle to escape what he perceives to be the end of American civilization. Peter Weir (Witness, Dead Poets Society) directs from a screenplay by Paul Schrader (Taxi Driver, Raging Bull), based on the novel by Paul Theroux. We experience the story through the eyes of Fox’s eldest son, Charlie (River Phoenix). Charlie begins the film in awe of his father, but as Allie spirals out of control, putting his family in danger and developing a serious God complex, Charlie begins conspiring with his mother (Helen Mirren) to save the family from their patriarch.

Stand By Me (1986)

August 20, 1986

[10]

Rob Reiner (This Is Spinal Tap, The Princess Bride) adapts this dark coming-of-age tale from Stephen King, about a band of four boys who embark on a weekend journey to find the body of a missing teenager. Stand By Me is the best film of Reiner’s career, and the best film adaptation of King’s work. It’s a moving, hauntingly nostalgic piece, bolstered with healthy doses of good humor and some of the best adolescent performances ever put to film.

The Fly (1986)

April 24, 1986

[9] David Cronenberg's remake of The Fly is still the most fowl and disgusting film I have ever seen. It just about makes me barf every time I see it, and I love that. Jeff Goldblum plays an inventor who…

Back to the Future (1985)

October 3, 1985

[10] High schooler Marty McFly (Michael J. Fox) is accidentally sent thirty years into the past where he unwittingly threatens his own existence by interfering with his parents' introduction to one another. With the help of crack-pot scientist Doc Brown,…

The Breakfast Club (1985)

September 16, 1985

[10]

Writer/director John Hughes had more box office hits than you can shake a stick at, and while many of them were fun and irreverent fare (like Ferris Bueller’s Day Off or Weird Science), one sticks out above the crowd — his crowning achievement: The Breakfast Club. It’s a low-concept, small-scale production — practically a filmed stage play — about five disparate teenagers who suffer Saturday detention together. There’s the jock (Emilio Estevez), the princess (Molly Ringwald), the nerd (Anthony Michael Hall), the bad boy (Judd Nelson), and the weirdo (Ally Sheedy) — all kids who would never spend one minute of time together under any other circumstances. But tossed together in their school library under the watch of their vindictive principal (Paul Gleason), they are forced to get to know one another.

The Color Purple (1985)

July 19, 1985

[9]

There’s this thing called the “elasticity of human emotion”, where the harder down you throw people, the higher up they’ll rise. I haven’t seen many movies demonstrate this principle better than The Color Purple. Whoopi Goldberg plays Celie, who we see having two children by her own father before being married off to Mister (Danny Glover), who beats her and convinces her she is ugly. The only person who ever loved her was her sister, Nettie, who Mister banishes from Celie’s life in more ways than one. Her children long since taken away and her sister gone, Celie is one heck of a tragic character. But out of her shame and despair there grows a sense of pride. Her transformation is a powerful one that gives the story universal appeal — who hasn’t felt ugly and unwanted in their lifetime?

Fright Night (1985)

July 17, 1985

[9]

As the horror genre shifted full-bore into gore and kill counts in the ’80s, Tom Holland (Child’s Play) wrote and directed this Valentine to a simpler, more classic way of spooky storytelling. Fright Night is about a high school boy (William Ragsdale) who teams up with a TV horror host on the outs (Roddy McDowell) to rescue his friends and family from a vampire (Chris Sarandon) who has taken up residence next door.