[5] This early Best Picture Oscar winner is a three-hour mix of song, dance, and narrative, much like Broadway Melody before it. I was expecting a real stinker, especially when the opening credits revealed “Fashion Parades by Adrian”. But apart from being overly long and anachronistic, it wasn’t so bad. The narrative is fashioned loosely around the life of Broadway’s legendary Florenz Ziegfeld Jr (the …
[8] Meryl Streep snared the best actress Oscar for her disarming performance as a Polish refugee forced by a Nazi soldier into one of the cruelest scenarios a mother could imagine — choosing which of her two children will die. The Auschwitz scenes, which unfold via flashback, are probably the most memorable ones in Sophie’s Choice, but I was equally (if not more) enthralled by …
[7] Hollywood’s most celebrated melodrama is still entertaining today. Vivien Leigh does a remarkable job playing one of the most volatile heroines in film history. Scarlet O’Hara begins Margaret Mitchell’s story damned spoiled, and I’m not sure she ever really learns her lesson, but Leigh renders a subtle transformation while always remaining true to character. My other favorites are Olivia de Havilland (sweet in everything …
[8] Maggie Smith took home the Best Actress Oscar for her portrayal of Jean Brodie, a charismatic school teacher who dedicates herself to a class of impressionable young women. The film may sound like an all-girl precursor to Dead Poets Society, but it’s a far more nuanced and provocative take on the ‘inspirational teacher’ story. Brodie may begin as the hero of the story, but …
[7] Based on the novel Washington Square by Henry James, The Heiress centers around Catherine (Olivia de Havilland), a shy, socially inept young woman who gets swept off her feet by a dashing young destitute (Montgomery Clift). When her father (Ralph Richardson) accuses the man of preying on his daughter’s inheritance, he threatens to cut her off. Putting all her faith in her first love, …
[8] SPOILER REVIEW: Natalie Portman is incredible in Black Swan, the story of a ballerina who must tap into her ‘dark side’ to play the Swan Queen in a New York City performance of Swan Lake. Portman’s performance is a variation on Ingrid Bergman’s in Gaslight, another psychological thriller where you’re never quite sure if things are really happening or if our protagonist is going …
[9] The Hours is a fascinating exploration of three women living in different times and different places, each of them struggling to find their personal bliss against the pressures and expectations of marriage and motherhood. The film is a meditation on death and sacrifice — obviously not the kind we associate with men on the battlefield, but the quiet, stifling kind suffered by people, traditionally …
[9] A racist, alcoholic prison guard finds himself falling in love with an African-American woman who just happens to be the widow of a man he helped to execute in this film from Marc Forster (Stranger than Fiction, Finding Neverland). Halle Berry is stunning in her Oscar-winning performance, but so is the rest of the cast, including Billy Bob Thornton as the prison guard, Heath …
[10] Holly Hunter picked up an Academy Award for her performance as Ada, a rebellious mute who finds solace and a means of expression only with her beloved piano in Jane Campion’s gorgeously crafted and erotically charged The Piano. Ada is married off to Stewart (Sam Neill), a sexually repressed land developer in Victorian New Zealand. When she and her young daughter (Anna Paquin) first …
[9] Here we have a horror film so classy, it won the Oscar for Best Picture. Anthony Hopkins and Jodie Foster each deliver career-defining performances as Hannibal Lecter and Clarice Starling, the central characters in author Thomas Harris’ perverse contemporary retelling of Beauty and the Beast. The screenplay balances their provocative banter with a well-constructed mystery surrounding the identity and whereabouts of a serial killer …
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