[10] Peter Jackson (Dead Alive, The Frighteners) embraces the Herculean task of bringing Tolkien’s supreme fantasy to the silver screen, and hits a home run. The Fellowship of the Ring gets the trilogy off to a strong start, as Frodo Baggins and his companions set off to destroy the One Ring. Jackson is faithful to the source material while masterfully balancing action, horror, heart, and …
[9] By anchoring his screenplay in one of the most inherently compelling tragedies of the twentieth century and placing the the weight of the story on Kate Winslet’s able shoulders, James Cameron concocts a recipe for the biggest money-making movie of all time (still true as of this writing, though his own Avatar threatens to dethrone the ill-fated vessel). The movie is split in two, …
[10] It doesn’t matter whether you think Oswald acted alone or not. Oliver Stone’s JFK is stunning in its craftsmanship and enthralling in its narrative construction. If you’re only casually familiar with the people and events surrounding Kennedy’s assassination and the conspiracy theories about it, brace yourself for a fast-paced, provocative, emotionally compelling story that is sure to make you drop your jaw and raise …
[10] Kevin Costner’s ambitious ode to the American frontier is grand, romantic storytelling at its best. And talk about an underdog. People were calling it ‘Kevin’s Gate’ months prior to release — and why shouldn’t they? A three-hour long western with most of its dialogue in Lakota Sioux? How could such a movie find an audience, much less sweep the Academy Awards?
[9] Warren Beatty and Faye Dunaway star as the legendary real-life bank robbers in Arthur Penn’s volatile Bonnie and Clyde. With its anti-hero point of view and graphic violence, this film helped lead the charge for grittier, more realistic fare that cropped up throughout the ’70s. While the film certainly sensationalizes the criminals, it also humanizes them. It’s easy to see how a bored waitress …
[8] A British colonel (Alec Guinness) leads his fellow POWs in constructing a bridge for their Japanese captors, unaware of the fact that allied forces, guided by a reluctant American (William Holden), have launched a covert mission to destroy it. David Lean’s film zips along remarkably well considering it’s nearly-three-hour running time. The film benefits from its exotic locale, Oscar-winning cinematography, and distinguished performances.
[9] Montgomery Clift (Red River, The Heiress) stars as a poor young man who takes a job at his rich uncle’s garment factory where he falls in love with a coworker played by Shelley Winters. Things become complicated when Clift is introduced to an alluring young socialite played by Elizabeth Taylor in her first ‘adult’ role. Just as Clift is ready to commit to Taylor …
[10] William Wyler’s portrait of an English family weathering the darkest hours of World War II is a moving drama about hope and persistence. There’s a quiet strength and noble resolve about the characters in this movie that I find utterly disarming. Wyler shows admirable restraint in the direction and storytelling, sidestepping any opportunity to sensationalize the material. One of the greatest scenes in the …
[10] Alfred Hitchcock’s first American film and only one to win a Best Picture Oscar is Rebecca, starring Joan Fontaine, Laurence Olivier, and Judith Anderson. Based on the novel by Daphne du Maurier, the film follows a nervous woman (Fontaine) who catches the eye of a wealthy widower (Olivier). After they marry, she is taken to his ancestral mansion, Manderley, where the icy cold head …
Copyright © 2024 | Theme by MH Themes