[9] By anchoring his screenplay in one of the most inherently compelling tragedies of the twentieth century and placing the the weight of the story on Kate Winslet’s able shoulders, James Cameron concocts a recipe for the biggest money-making movie of all time (still true as of this writing, though his own Avatar threatens to dethrone the ill-fated vessel). The movie is split in two, …
[9] Here we have a horror film so classy, it won the Oscar for Best Picture. Anthony Hopkins and Jodie Foster each deliver career-defining performances as Hannibal Lecter and Clarice Starling, the central characters in author Thomas Harris’ perverse contemporary retelling of Beauty and the Beast. The screenplay balances their provocative banter with a well-constructed mystery surrounding the identity and whereabouts of a serial killer …
[10] Kevin Costner’s ambitious ode to the American frontier is grand, romantic storytelling at its best. And talk about an underdog. People were calling it ‘Kevin’s Gate’ months prior to release — and why shouldn’t they? A three-hour long western with most of its dialogue in Lakota Sioux? How could such a movie find an audience, much less sweep the Academy Awards?
[10] Straight biographies rarely make great film, but by filtering the subject through another man’s envy, director Milos Forman (One Flew Over the Cuckoo’s Nest) delivers one of the best bio-films I’ve ever seen. This isn’t a film about a composer and his music (how boring would that be?) — it’s a film about an insanely jealous contemporary named Salieri. Salieri, played brilliantly by F. …
[10] Robert Redford directs this adaptation of Judith Guest’s novel, about a family reeling from the accidental death of the eldest child. Unlike so many dramas, it’s what you don’t see and what isn’t said that makes Ordinary People such a gut-wrenching, powerfully moving film. Timothy Hutton, Donald Sutherland, and Mary Tyler Moore give superb performances as family members struggling to reconnect with one another …
[9] Sylvester Stallone wrote and stars in this low-budget box office triumph that went on to win the Best Picture Academy Award. Rocky is a remarkable blend of fantastic performances, understated screenwriting, and straightforward execution. It’s very hard not to get swept up in the characters’ hopes and dreams. There are a couple of incredible scenes that really seal the deal for me. One is …
[9] The Godfather balances the private lives of its characters with their sensational ‘occupation’, and that’s why I like it more than other ‘tough-guy’ movies. If I didn’t care about the family members, no amount of horse beheadings or car explosions would be able to pick up the slack. Brando and Duvall command respect in their seemingly effortless performances, and Pacino provides all the empathy …
[8] A British colonel (Alec Guinness) leads his fellow POWs in constructing a bridge for their Japanese captors, unaware of the fact that allied forces, guided by a reluctant American (William Holden), have launched a covert mission to destroy it. David Lean’s film zips along remarkably well considering it’s nearly-three-hour running time. The film benefits from its exotic locale, Oscar-winning cinematography, and distinguished performances.
[10] Bette Davis revived her sagging career and writer/director Joseph L. Mankiewicz continued an Oscar streak with All About Eve. Davis stars as Margo Channing, an aging broadway star who takes a sympathetic, aspiring ingenue under her wing. Anne Baxter plays the ingenue and title character, Eve Harrigton. Over the course of the film, Eve ingratiates herself to Margo’s friends and acquaintances, who include a …
[9] Everybody comes to Rick’s, and everyone loves Casablanca. What’s not to like? Humphrey Bogart turns in a commanding performance as Rick, the reluctant American exile who runs a popular nightclub in North Africa during early World War II. He says he sticks his neck out for no one, but he’s really just a softy who had his heart broken by Ingrid Bergman several years …
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