[6] John Wayne leads an ensemble cast in this William Wellman film about the passengers and crew of a trans-Pacific flight who experience engine failure and a loss of fuel. When they realize they won’t reach the California shore, everyone prepares for the worst. The High and the Mighty plays more like a straight drama than the disaster flicks that would come after it in the 1970s. …
[3] A Jew and a Christian compete in the 1924 Olympics, both running in the name of God and adversity. I’m sorry to say I just couldn’t give a shit. I couldn’t empathize with their motivations. They feel God when they run. Good for them. It would at least be nice if the two competed against one another in the third act, but they don’t. …
[7] In colonial Kenya, a Danish baroness has an ongoing affair with a big game hunter. On one hand, Sydney Pollacks’ Oscar-winning best picture is long and subdued. But on the other hand, it does a great job transporting you to another time and place. The wildlife, cinematography, and music score (another fine work from John Barry) will whisk you away whether you want whisked or …
[8] The Disney Animation Studios took Shakespeare’s Hamlet and transplanted it to the African savanna with an all-animal cast. Buoyed by a hit soundtrack, lush visuals, memorable characters, and a daring blend of intense drama and whacky humor, the film became the critical and financial climax of the late ’80s/early ’90s Disney renaissance. For me, the truly exceptional elements of the film are the music, …
[6] This movie version of Irving Berlin’s musical is chintzy fun kept afloat by cartoonish performances from leads Betty Hutton and Howard Keel. Watching the movie at this end of the feminist movement can be frustrating. While Annie Oakley is presented as a strong, brutish character, she ultimately stifles herself to win the love of Frank Butler (Keel). The film is also considered racist for …
[6] Prince and his Revolution members all play roles in this rock opera that’s equal parts cheese and cool. If you love Prince’s music (that is, if you have a pulse), that’ll be enough for you to enjoy the movie. It’s basically a concert movie where half the songs are performed and half serve as score behind the loose narrative. The script works best when …
[5] Beautifully shot and slavish to Kubrick’s singular, intentionally off-putting vision, Barry Lyndon follows the circuitous rise and fall of an unscrupulous man through love and war, as he swindles his way into aristocracy and sews the seeds of his own ultimate misfortune. I can appreciate the exercise, creating an immaculate vision so emotionally restrained, it’s almost devoid. But the film is a conundrum for …
[8] Quentin Tarantino’s eighth film (because he’s counting) is a three-hour long claustrophobic western about eight characters holed up in a lodge during a snowstorm who all have reason to kill one another. Leading the ensemble cast are Kurt Russell as a bounty hunter, Jennifer Jason Leigh as his ruthless, almost feral captive, Samuel L. Jackson as a Union major delivering corpses for reward money, …
[4] Around the World in 80 Days is a three-hour-long, episodic adventure that’s high on spectacle and low on story or character. I wager it played better to a 1950s audience interested in seeing a cliche-ridden “It’s a Small World”-like pastiche of world cultures. I wish leading actor David Niven had more to do in his role — it could have really helped the film …
[3] What a shitty Best Picture winner Gigi is. It’s a musical about an unhappy playboy (Louis Jourdan) and an unhappy debutante (Leslie Caron) who fall in love, but then out of love, and back in love, and out, and finally in again. Apparently neither one feels right playing by the rules of Parisian upper-crust society and doing what is expected of them, so they …
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