Around the World in 80 Days (1956)

Around the World in 80 Days (1956)

[4] Around the World in 80 Days is a three-hour-long, episodic adventure that's high on spectacle and low on story or character. I wager it played better to a 1950s audience interested in seeing a cliche-ridden "It's a Small World"-like…
Gigi (1958)

Gigi (1958)

[3] What a shitty Best Picture winner Gigi is. It's a musical about an unhappy playboy (Louis Jourdan) and an unhappy debutante (Leslie Caron) who fall in love, but then out of love, and back in love, and out, and…
Montana (1950)

Montana (1950)

[4] Errol Flynn clings to the last few years of his good looks in Montana, before his opium and alcohol addictions sent him to an early grave at the age of 50. Montana seems unintentionally silly to me -- it's…
Never So Few (1959)

Never So Few (1959)

[4] Frank Sinatra stars as a US army captain in charge of helping Kachin natives in WWII Burma defend themselves against the Japanese. Never So Few divides its attention between the gun battles in the jungle and Sinatra's makeout sessions…
People Will Talk (1951)

People Will Talk (1951)

[6] Cary Grant stars as Dr. Noah Praetorius, a well-meaning doctor and professor who falls for a troubled young woman (Jeanne Crain) while simultaneously dodging a jealous colleague's (Hume Cronyn) perpetual witch hunt. People Will Talk is sweet if you…
Kiss Them For Me (1957)

Kiss Them For Me (1957)

[4]

Cary Grant stars in this post-war feel-good flick about three beleaguered naval officers whose precious 4-day shore leave is threatened at every turn. At first, it’s disappointing to see Grant slumming it in a party movie, but then there’s a little anti-war sentiment that threatens to elevate the material… before ultimately sinking it. Kiss Them For Me is ultimately an overbearing message movie, with Grant’s character repeatedly explaining to lay people and press alike that war isn’t glorious. Maybe the film served an important function counterbalancing war propaganda from the ’40s, but taken on its own, the message gets tedious very quickly. The line should have been drawn after Grant’s first dramatic outburst (a fine moment for him and the movie), and well before a wounded soldier is wheeled out for exhibition, full of hope and oblivious to his terminal diagnosis.

A Face in the Crowd (1957)

A Face in the Crowd (1957)

[8] A Face in the Crowd is a surprisingly relevant movie, despite the fact that it's now over 50 years old. Andy Griffith stars as "Lonesome" Rhodes, a country singer who becomes a media sensation. As the public fawns over…
The Werewolf (1956)

The Werewolf (1956)

[5] A car crash victim (Steven Ritch) is injected with wolf serum by experimenting scientists and before long, hirsute hijinks ensue. This werewolf flick from prolific B-movie producer Sam Katzman plays up the emotional and psychological angles better than most,…
Sailor of the King (1953)

Sailor of the King (1953)

[7] This nifty WWII naval actioner is slow to start, but after the midpoint it offers an engaging blend of drama and suspense. Jeffrey Hunter (The Searchers) plays Andrew Brown, a signalman in the British navy who survives the sinking…
Room for One More (1952)

Room for One More (1952)

[7]

Cary Grant already has three children and little time alone with his wife (Betsy Drake), but that doesn’t stop her from bringing home a few troubled foster children. Room for One More is a sweet comedy with just enough dramatic heft. Grant (at his droll, beleaguered best) and Drake have some great exchanges, especially after one of their boys inquires where babies come from. Grant draws the figure of a woman in the sand and explains. Drake then comes along and asks what the drawing is.