The Fly (1986)
[9] David Cronenberg's remake of The Fly is still the most fowl and disgusting film I have ever seen. It just about makes me barf every time I see it, and I love that. Jeff Goldblum plays an inventor who…
Back to the Future (1985)
[10] High schooler Marty McFly (Michael J. Fox) is accidentally sent thirty years into the past where he unwittingly threatens his own existence by interfering with his parents' introduction to one another. With the help of crack-pot scientist Doc Brown,…
The Breakfast Club (1985)
[10]
Writer/director John Hughes had more box office hits than you can shake a stick at, and while many of them were fun and irreverent fare (like Ferris Bueller’s Day Off or Weird Science), one sticks out above the crowd — his crowning achievement: The Breakfast Club. It’s a low-concept, small-scale production — practically a filmed stage play — about five disparate teenagers who suffer Saturday detention together. There’s the jock (Emilio Estevez), the princess (Molly Ringwald), the nerd (Anthony Michael Hall), the bad boy (Judd Nelson), and the weirdo (Ally Sheedy) — all kids who would never spend one minute of time together under any other circumstances. But tossed together in their school library under the watch of their vindictive principal (Paul Gleason), they are forced to get to know one another.
The Color Purple (1985)
[9]
There’s this thing called the “elasticity of human emotion”, where the harder down you throw people, the higher up they’ll rise. I haven’t seen many movies demonstrate this principle better than The Color Purple. Whoopi Goldberg plays Celie, who we see having two children by her own father before being married off to Mister (Danny Glover), who beats her and convinces her she is ugly. The only person who ever loved her was her sister, Nettie, who Mister banishes from Celie’s life in more ways than one. Her children long since taken away and her sister gone, Celie is one heck of a tragic character. But out of her shame and despair there grows a sense of pride. Her transformation is a powerful one that gives the story universal appeal — who hasn’t felt ugly and unwanted in their lifetime?
Fright Night (1985)
[9]
As the horror genre shifted full-bore into gore and kill counts in the ’80s, Tom Holland (Child’s Play) wrote and directed this Valentine to a simpler, more classic way of spooky storytelling. Fright Night is about a high school boy (William Ragsdale) who teams up with a TV horror host on the outs (Roddy McDowell) to rescue his friends and family from a vampire (Chris Sarandon) who has taken up residence next door.
Clue (1985)
[9] Six guests are summoned to a mansion on a stormy night where they discover each is being blackmailed by their mysterious host. Not even before dinner is over, the host is murdered and mystery is afoot. But who did…
Gremlins (1984)
[10] Does it mean anything that Gremlins is my favorite Christmas movie? Am I bad person because I eschew the sentimentality of It's A Wonderful Life for the malevolent rampage of little green monsters? Actually, sentimentality plays a big part…
The Terminator (1984)
[9] A cyborg from the future attempts to assasinate the unwitting mother of a future man who will lead humanity in a war against 'the machines.' The Terminator remains one of the best sci-fi films of the '80s. Thanks in part…
Top Secret! (1984)
[9] With double entendre's out the wazoo and sight gags out the yin-yang, not to mention a shiny young Val Kilmer dancing and singing his heart out, Top Secret! wins me over. The film is from the makers of Airplane!,…
Romancing the Stone (1984)
[9]
This is the ultimate romantic adventure, complete with a great cast, exotic locations, and measured doses of action, humor, and heart. Michael Douglas and Kathleen Turner never looked better. They have that ephemeral “chemistry”, the kind that keeps you glued to the screen, rooting for them.
The screenplay by Diane Thomas is well paced and constructed, giving plenty of breathing room to a romantic relationship that evolves naturally and believably. Director Robert Zemeckis (Back to the Future, Forrest Gump) sprinkles memorable action scenes throughout the journey, including the swing across the gorge, the Bronco chase, and the waterfall. I like the final showdown among all the adversaries, and how a certain alligator figures into the conclusion. I’m also fond of Alan Silvestri’s score. It may not be the traditional big orchestra type, but the contemporary/Caribbean/piano lounge feel (odd as it may be) gives the movie a distinct, appropriate sound.