[7] Writer/director Joseph L. Mankiewicz (All About Eve, The Ghost and Mrs. Muir) won his first two Academy Awards for writing and directing this drama about three wives who reflect on their marriages when they learn a fourth woman has just left town with one of their husbands. Mankiewicz can always be relied upon for great dialogue and pitch-perfect casting. All six principles (the fourth …
[5] Dorothy Mackaill stars as a young woman strung along by a wealthy suitor who eventually declines to marry her, souring her relationship with any man until a rich artist comes along and strikes her fancy. The Reckless Hour is cut from a well-used cloth, but moves briskly for an early talkie and features a couple of colorful supporting performances, namely Joan Blondell as Mackaill’s …
[7] Matthew McConaughey plays an American marijuana dealer looking to sell his lucrative British production and distribution system. But when one of the bidders sabotages him to drive down the value, everyone has to watch their backs. Charlie Hunnam co-stars as McConaughey’s right-hand man, and Hugh Grant is featured as a smarmy, investigative screenwriter who attempts to blackmail them. The Gentlemen is a twisty-turny crime …
[3] Dorothy Mackaill headlines as a newly-engaged Broadway song and dance star who’s confronted with a ghost from the past on the eve of her retirement. Noah Beery plays the bad guy — a man who tried to rape Mackaill’s character several years ago, and who shows up at the theater to (we assume) try again. Bright Lights (also known bizarrely as Adventures in Africa) …
[8] Writer/director Sam Mendes (American Beauty, Skyfall) and co-writer Krysty Wilson-Cairns bring us back to the trenches of World War I with the harrowing journey of two British officers tasked with traversing enemy territory to deliver a message that will save 1,600 of their fellow soldiers from certain death — including one of the young men’s brothers. 1917 is compelling on two different levels, infusing …
[7] Tom Hanks plays Fred Rogers, the famous host of Mr. Rogers’ Neighborhood, a children’s program that ran on PBS for over thirty years. But this movie isn’t just about Fred Rogers. It’s also the true story of journalist Tom Junod (named Lloyd Vogel in the movie), and the life-affirming friendship he developed while interviewing Rogers for an article. In the beginning, Vogel (played admirably …
[8] If someone is going to pick up Louisa May Alcott’s much-loved literary classic, dust it off, and serve up a retelling, let it be the Oscar-nominated writer/director of Lady Bird. Greta Gerwig is respectably faithful to the material, but bold in her decision to dice the story up and deliver it in non-linear fashion. In Gerwig’s adaptation, we experience the aftermath of the March …
[8] I think one of the hardest stories to tell is a good murder mystery story. That’s why we see so few of them turned into movies. Rian Johnson’s (The Last Jedi, Looper) Knives Out is a beguiling blend of classic and farce, reminding me at times of both Clue and Murder on the Orient Express. Remarkably, its dark comedy never undercuts its dramatic tension. …
[8] I am not a fan of car racing. I couldn’t care less about it, really. But like so many other great sports movies, Ford v Ferrari isn’t really about the sport itself. It’s about the people engaged in the sport. And to that extent, director James Mangold (Logan, Walk the Line) hits a home run with this true story about two men who overcome …
[6] A young boy in Hitler’s youth army (Roman Griffin Davis) finds himself in a moral dilemma after discovering a Jewish girl (Thomasin McKenzie) hiding in a secret space behind his bedroom wall. This film written for the screen and directed by Taika Waititi (What We Do in the Shadows, Thor: Ragnarok) has an off-beat, surreal sense of humor that wears thin over time. It’s …
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